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December 18, 2009 (8 pm)
City-theatre TEUNI. of Universidade Federal do Parana, Curitiba (Brasilia)

"musica cenica e musica silencioso" (music scenical, music of silence) - Concert in honor to the 60. birthday of the composer Gerhard Stäbler in Brasilia

Footprints
Performance for lovers of music (1999) - brasilian Premiere

]ROSES[
for soprano and percussion quartet (2004) -– brasilian Premiere

presented by the renowned southamerican ensemble for contemporary music ConTempoSonoro

 

Dezember 10, 2009 (8 pm)
Gasteig, Munich

New Music in School

Gerhard Stäbler: AirBags II
for ensemble, different groups of harmonicas and puffing everyday objects
Premiere

Furthermore premiere of works of Tom Johnson and Erwin Stache

Arbeitsgemeinschaft Neue Musik Hertzhaimer-Gymnasium Trostberg, conductor: Bernhard Zörner
Pupils of the Mädchenrealschule Sankt Ursula (Augsburg), conductor: Monica Pfiffner
MEHR MUSIK! Ensemble, Leitung: Stefan Blum
Group Atonor, conductor: Erwin Stache

 

December 9, 2009 (8.05 pm - 10 pm)
WDR 3

live recording from april 3, 2009 from the small concert hall of the FolkwangHochschule Duisburg

amongst others Gerhard Stäbler: if not, winter
for renaissance recorder and 13 strings koto (2006/07)

Makiko Goto, Koto
Jeremias Schwarzer, recorder

 

December 6, 2009
Galerie Marzee, Nijmegen (Netherlands)

several performances für Liebhaber (1999)

Ensemble Lunapark

 

December 3-5, December 2009
Vilnius

Ruhrlights: Twilight Zone

in the course of the exchange project Licht- und Videoworkshop, Kulturhauptstadt Duisburg 2009
City of Duisbug in cooperation with the Goethe Institut Vilnius

elements (acute)
Licht. Musik. Gerüche.
Workshop and performance with Siegrun Appelt and Gerhard Stäbler

 

November 30, 2009 (8.05-10 pm)
Radio Bremen, Klassik: musica nova

Angefügt, nahtlos, ans Heute - Marita Emigholz discusses with the composer Gerhard Stäbler


...im Spalier...
musical thoughts on fantasies by John Bull (1563-1628) and Don Carlo Gesualdo (c. 1560-1613) for brass quintet (1990)

]DESIRES[
for soprano and percussion quartet (2004)

Warnung mit Liebeslied
for harp, accordion and glass percussion (1986)

KYBELE
Kassandra-study for 3 percussionists and percussion ensemble ad lib. (1993)

Den Müllfahrern von San Francisco
An acronym containing acoustical reminiscences of a journey for ensemble (1989-90)

Vom Grund bis zum Scheitel. Dal fondo alla cima
for solo double bass (1991-92)

...day by day...
for two percussion soloists, three female voices and orchestra (2003/2004)

 

November 24, 2009 (7 pm)
Augsburg, Parktheater Kurhaus Göggingen, Klausenberg 6

Konzertraum / Raumkonzert

AirBags
Action for ensemble, different groups of harmonicas and puffing everyday objects (2009)
Premiere

Amongst others works of Klaus Huber, Robert HP Platz, Dieter Schnebel, Fabien Lévy

With ensemble trioLog (Munich), the MEHR MUSIK! Ensemble of the Leopold-Mozart-Zentrum Augsburg and with pupils of the Realschule St. Ursula Augsburg

 

November 23, 2009 (6 pm)
Universität Augsburg, Leopold-Mozart-Zentrum, Schillstraße 100

KLUB MEHR MUSIK! Extra am LMZ - with Gerhard Stäbler in dialog

Gerhard Stäbler – AirBags
lecture and tutorial

 

November 22, 2009 (11 am)
Nationaltheater Mannheim, Oberes Foyer

amongst others Gerhard Stäbler: Hart auf Hart
Music for improvising, calculative ensemble(s) (1986)

Arne Roßbach, violin
Julien Heichelbach and Helmut Winkel, viola
Arvo Lang, cello
Nina Valcheva, double bass
Günther Albers, piano

 

November 19, 2009 (10.05-11.00 pm)
BR-Klassik

"Horizonte" - Studio for music

Notebook
for viola and orchestra or ensemble (1996/2000)

Hideko Kohayashi, viola
Ensemble for Contemporary Music of the Folkwang Hochschule
Peter Rundel, conductor

 

November 17, 2009 (12.05 am)
Deutschlandradio Kultur

Desires - Der Komponist Gerhard Stäbler
A portrait by Hanno Ehrler

 

November 13, 2009 (8.30 pm)
Goethe-Institut Porto Alegre (Brasilia), auditorium

Concert in the context of the CONTEMPORÂNEO RS festival

Gerhard Stäbler: Beppu
Thoughts on Three Haikus by Matsuo Basho (1644-1694) for trumpet and percussion (1994)

Furthermore works of André Jolivet, Daniel Ott, Christian Wolff and Toru Takemitsu

Reinhold Friedrich, trumpet
Robyn Schulkowsky, percussion

 

November 11, 2009
University of Newcastle (England)

Gerhard Stäbler – We live the oposite daring
Composition tutorial

 

November 10, 2009
University of York (England)

Gerhard Stäbler – We live the oposite daring
Composition tutorial

 

November 9, 2009
Universität für Musik und darstellende Kunst Wien

Gerhard Stäbler – Lecture concerning the work of composing

 

November 7, 2009 (5 pm)
Wilhelm-Lehmbruck Museum, Duisburg

PORTRAIT II
SEONKYUNG KIM, piano
with a dancing performance by Christine Brunel

Christine Brunel: encadré 3
performance with dance and music
with music of Gerhard Stäbler from Dalí
and Karlheinz Stockhausen from Tierkreis (Krebs)

Kunsu Shim: 33 things
for piano solo (2007)

 

November 7, 2009
Österreichische Akademie der Wissenschaften, Johannessaal
Dr. Ignaz Seipel-Platz 2, Vienna

Chamber concert with music of Gerhard Stäbler and words of Marcel Proust

Congress of the Marcel Proust Association
University for music and performing arts Vienna

Gerhard Stäbler:

... Abschiede ... Kassandra-study for violin, viola and cello (1993)

Ferne / Nähe (II) for string quartet and percussion
Premiere

beats for string quartet and percussion (1998)
Austrian Premiere

Marcel Proust: Words from Auf der Suche nach der verlorenen Zeit

 

November 2-6, 2009
Landesakademie für musisch-kulturelle Bildung, Ottweiler (Saarland)

JugendEnsembleNeueMusik Rheinland-Pfalz/Saarland
Workshop with Gerhard Stäbler
with concluding presentation in Ottweiler and St. Ingbert

 

November 5, 2009 (7.30 pm)
Public final rehearsal with works of Gerhard Stäbler
Landesakademie für musisch-kulturelle Bildung Ottweiler

KARAS.KRÄHEN for choir and tape (1994/95)

Nachtstück I for flute, clarinet, percussion, piano, violin, viola, cello and tape (ad. lib.) (2005)

SPICES (1) for dance, ensemble, tape, and scents (2001)

 

November 6, 2009 (1 pm)
Conzert with works of Gerhard Stäbler
Albertus-Magnus-Gymnasium, St. Ingbert

KARAS.KRÄHEN for choir and tape (1994/95)

Rachengold Secret score for a vocalist, a glass of water and a large stopwatch (ad lib.) (1992)

Nachtstück I for flute, clarinet, percussion, piano, violin, viola, cello and tape (ad. lib.) (2005)

Rosenkranz Secret score for a vocalist (1995)

SPICES (1) for dance, ensemble, tape, and scents (2001)

 

October 18, 2009 (4 pm)
Lehmbruck Museum, Duisburg

KAISER ANTONINO DANCE ENSEMBLE

Home Variations in the Mario MERZ Igloo

Performers: Sergio Antonino, Avi Kaiser, Valentina Moar,
Sylvana Seddig
Music: among others, Gerhard Stäbler and Kunsu Shim

 

October 18, 2009 (11 am)
EarPort, Innenhafen Duisburg


"GOOD MORNING GS!"

Kunsu Shim: quasi a due (Teil I)
for 4-hand piano (2009)
Premiere

Alwynne Pritchard: Invisible Cities
for piano solo (1999), version for for 4-hand piano

Dieter Schnebel: Mühe fromBagatellen
for piano solo (1986)
Kozue Hara, piano

Gerhard Stäbler: Windows 3
for piano solo (1985)
Aya Hara, piano

Gerhard Stäbler: MONDSPIEL
for 4-hand piano (2009)
Premiere

Kunsu Shim: quasi a due (Teil II)
for 4-hand piano (2009)
Premiere

Aya and Kozue Hara, piano

 

October 17, 2009 (9 pm)
EarPort, Innenhafen Duisburg

Gerhard Stäbler: Für Liebhaber
simultaneous performance of
- Winter, Blumen for soprano solo with accessoires (1995)
- Internet 1.9 for piano (1996)
- different performances for Liebhaber (1999)
- Hart auf Hart Music for improvising, calculative ensemble(s) (1986)
for voice, piano, percussion and dance performance

Martin Lindsay, baritone
Seonkyung Kim, piano
Michael Pattmann, percussion
Kunsu Shim and Gerhard Stäbler, performance

 

October 17, 2009 (5 pm)
Wilhelm Lehmbruck Museum, Duisburg

WHITE SPACES
A concert on th occasion of Gerhard Stäbler's 60. birthday

Gerhard Stäbler: Around
for piano and string trio (2008)

Congratulations from the city of Duisburg

Gerhard Stäbler: FallZeit
for one percussionist (1997)

Musical birthday greetings from different composers (Toshio Hosokawa, Geir Johnson, Bohyun Kim, Bernd Preinfalk, Alwynne Pritchard, Dieter Schnebel and others)
for string quartet
Premiere

Robert Schumann: from Fantasiestücke Op 12
for piano

Gerhard Stäbler: Ferne / Nähe (I)
for piano, percussion and string quartet (2009)
Premiere

-------------- PAUSE with reception --------------

Kunsu Shim: Last Night
for vocals and string quartet (2008)
with video (Kyungwoo Chun)

Gerhard Stäbler: White Spaces
for vocals and string quartet (2007)
with video (Kyungwoo Chun)

Martin Lindsay, baritone
Seonkyung Kim, piano
Michael Pattmann, percussion
String quartet of the Duisburger Philharmoniker

 

October 16, 2009 (7.30 pm)
Kreuzeskirche, Essen

YEARS
A concert on th occasion of Gerhard Stäbler's 60. birthday

Gerhard Stäbler: TAP
for organ pedal (1998)

Greetings from Dr. Oliver Scheytt

Gerd Zacher: Wenn der Fuß spräche: ich bin keine Hand... for organ pedal (1985)

Nicolaus A. Huber: Rituale
for organ (1965)

Christine Brunel: encadré 3
a dancing and musical peformance (2009) with music of Gerhard Stäbler from Dalí and Karlheinz Stockhausen from Tierkreis (Krebs)

Early music for organ

Kunsu Shim: Part III of Unfold, Though
for soprano, organ and ensemble (2009)

Early music for organ

Simultanious performances of
Gerhard Stäbler:
- Winter, Blumen for soprano solo with accessoires (1995)
- Hart auf Hart Music for improvising, calculative ensemble(s) (1986) for voice, piano, percussion and dance performance
- Eine Musik for ensemble (organ, voice, performance)
- Internet 1.9 for piano (1996)
with
Bernd Bleffert:
- 102 moments of movement performance for 102 walking sticks and one performer (2009)
- Knochenarbeit for one performer (2009)

Andreas Fröhling, organ
Irene Kurka, soprano
Christine Brunel, dance
Seonkyung Kim, piano
Alwynne Pritchard, voice
Bernd Bleffert, Kunsu Shim, Gerhard Stäbler, performance

 

October 16 & 17, 2009 (8 pm)
Theater Duisburg-Foyer III

KAISER ANTONINO DANCE ENSEMBLE

Der Spiegel und die Enzyklopädie
A multiplication game for four dancers and public

Performers: Sergio Antonino, Avi Kaiser, Valentina Moar,
Sylvana Seddig
Music: among others, Gerhard Stäbler ans Kunsu Shim

 

October 10, 2009 (8 pm)
Tonhalle, Düsseldorf

NACHMITTAGSSONNE
A concert on th occasion of Gerhard Stäbler's 60. birthday

introduction 7.15 pm

Kunsu Shim: YOUR FACE
chamber opera for baritone, string trio and tape (2006)
concertante performance

Gerhard Stäbler: Nachmittagssonne
chamber opera for baritone, string trio and tape (2006)
by order of the Seoul Contemporary Opera
conertante performance

Martin Lindsay, baritone
string trio of Duisburger Philharmoniker

 

October 8, 2009 (7 pm)
Maternushaus, Cologne

VERORTUNGEN
Susanne Krell

Exhibition Launch with works of Gerhard Stäbler

Martin Tchiba, piano

 

September 30, 2009 (8 pm)
Alte Feuerwache, Mannheim

Musical memorabilities from Sidney Corbett (UA) to Gerhard Stäbler with the Ensemble SIGNALE
inspired by words of Paul Klee, Adolf Wölfli and Daniel Paul Schreber

inter alia with works of von Gerhard Stäbler

ENSEMBLE SIGNALE: Johannes M. Kösters, vocals
Heather O'Donnell, piano
Thorsten Gellings, percussion
Dennis Kuhn, percussion and concept

 

September 29, 2009 (9-10.30 pm)
SR 2 KulturRadio

Mouvement
with Wolfgang Korb
Portrait of the composer Gerhard Stäbler

(parts of) works:

]DESIRES[
for soprano and percussion-quartet (2004)
Annette Robbert, soprano
Schlagquartett Köln

Total
for piano solo (1986)
Paulo Alvares, piano

...und in diesem Blau eine Ahnung von Grün...
for soprano, soprano-saxophone, trombone and big orchestra (2005/06)
Salome Kammer, soprano
Marcus Weiss, soprano-saxophone
Mike Svoboda, trombone
Rundfunk-Sinfonieorchester Saarbrücken
Peter Rundel, conductor

Ithaka
for koto (and voice) (2003)
Makiko Goto, voice and koto

Nachtstück I
for flute, clarinet, percussion, piano, violin, viola, cello, and tape (ad. lib.) (2005)
ensemble recherche, Freiburg
Errico Fresis, conductor

Gerhard Stäbler will be in the studio as talking guest during the radio show

 

September 23, 2009 (11 pm)
SWR 2

dunkel – im aschenen Dämmer
for flute and cello (2009)

Carin Levine, flute
Rohan de Saram, cello

 

September, 4 2009 (2.05 - 5 am)
Deutschlandfunk

Nightconcert of the DLF

Gerhard Stäbler: CO - wie Kobalt Music for solo double bass and large orchestra (1989-90)

Stefano Scodanibbio, Kontrabass
SWF-Sinfonieorchester Baden-Baden
Michael Gielen, conductor

Gerhard Stäbler: Das Sichere ist nicht sicher Spiral rondo for flute, bassoon, horn, violin, cello, double bass, two percussionists, and tape (1982)

Carin Levine, flute
Robert HP Platz, conductor

Furthermore works of Robert HP Platz, Walter Zimmermann, Giacinto Scelsi, Wolfgang Fortner, Giacomo Manzoni and Helmuth Zapf

 

August 29, 2009 (8 pm)
Circus of the park of private Anton Bruckner-university, Linz

Schatten.Träume 
for ensemble (2009)
Premiere

Rachengold 
for one vocalist, a glass of water and a large stopwatch (ad lib.) (1992)

Gerhard Krammer, conductor

 

August 26, 2009 (8 pm)
Schloss Traun (Schönberg-hall)

Winter.Blumen 
for violin solo (1995/96)

Hart auf hart 
for ensemble (1986)

Gerhard Krammer, conductor

 

August 20-30, 2009
Dreaming Europe – Real Europe
Symposium of arts, Linz
In the context of the project “capital of culture 2009“

With the participation of Gerhard Stäbler, composer

 

July 20, 2009
Gerhard Stäbler - 60. birthday

With concerts during october 2009: Tonhalle Düsseldorf, Kreuzeskirche Essen, Wilhelm Lehmbruck Museum Duisburg and Kunstraum Hüll (Niedersachsen)

 

July 10, 2009 (10.30 pm)
Theater Trier: Großes Haus

ATTRACTION - Performance-concert

With Gerhard Stäbler, Kunsu Shim (Duisburg) and Bernd Bleffert (Trier)

 

July 4, 2009
Gartenschau Rechberghausen

"Wildwuchs - SchurwaldMusik mit Getöse, Guggen und Godzilla

project with music of Gerhard Stäbler, Klaus Burger and Christoph Ogiermann

 

Jnue 27, 2009
Kunsthalle Emden

Flower-Fist - Video by Kyungwoo Chun with a new composition of Kunsu Shim (2009)

Red Book - Video by Kyungwoo Chun with a new composition of Gerhard Stäbler (2009)

 

June 21, 2009 (11 am)
BIS-Zentrum, Bismarkstr. 99, Mönchengladbach

Grand opening of the art exhibition "30 Jahre Ensemblia"

Gerhard Stäbler: Hausmusiken for one or more performers (2008)
Premiere

Theater-Jugendclub
Kunsu Shim/Gerhard Stäbler, Performance

 

June 19, 2009
University Oldenburg

Gerhard Stäbler and Kunsu Shim
Colloquium and Performances

 

June 14, 2009 (11 am)
Bochum: Thürmer-Saal

Winde – Entlang des Hanges for recorder solo and ensemble or orchestra (2008 - 2009) - World Premiere

Commissioned by Kunststiftung NRW and Bochumer Symphoniker for the recorder player Jeremias Schwarzer.

More infos: Bochumer Symphoniker

 

June 3, 2009 (9 pm)
Saarländischer Rundfunk

Radio Programme with Nachtstück I for flute, clarinet, violin, viola, cello, piano, percussion and tape (2005) commissioned by the SR-festival "mouvement".

 

May 23, 2009 (8 pm)
Kulturzentrum Linse, Weingarten

Talkshow "angesagt" by Wolfram Frommlet. With Gerhard Stäbler, Andreas Schmauder (Director of museum Ravensburg) and Elmar Bereuter (Author from Tettnang).

Carmen Hörberger, Accordion 

 

May 21, 2009 (11 am)
Mönchengladbach: BIS-Zentrum, Bismarkstr. 99,
Kulturlounge

Vernissage of the exhibition "30 Years Ensemblia"

Gerhard Stäbler: Hausmusiken for one ore more perfomer (UA)

Performances by Gerhard Stäbler and Kunsu Shim with Theater-Jugendclub Mönchengladbach

Gerhard Stäbler, Kunsu Shim (Performance)

 

May 15, 2009 (8 pm)
Studiobühne Köln: tanz nrw 09

Avi Kaiser & Antonino Dance Ensemble: "PIYUT"

More Information: tanz nrw 09

 

14. Mai 2009 (20 Uhr)
Galerie Rabus (Orchestersaal) in cooperation with Nordwestradio Bremen
Bremen, Plantage 13

dunkel – im aschenen Dämmer for flute and cello (2009)

Rohan de Saram, cello
Carin Levine, flute

 

May 10, 2009
Edenkoben (Herrenhaus)

dunkel-im aschenen Dämmer for flute and cello (2009)
World Premiere

Carin Levine, flute
Rohan de Saram, cello

The concert will be recorded and broadcasted later.
More Infos: SWR 2

 

May 8, 2009
Århus, Denmark

"SPOR Festival"

Belfast Breakfast Songs for voice (1996)

Neue Vocalsolisten Stuttgart

 

April 30, 2009 (10 pm)
Frankensteiner Hof, Paradiesgasse 10, 60594 Frankfurt a.M.

"Hausmusik-Performancenacht in den Mai"

Kunsu Shim: Ikebana for one performer with flowers (2001)

Gerhard Stäbler: Hausmusik (2009). Performance. World Premiere

Gerhard Stäbler/Kunsu Shim: soft art for pianist and one or two performers (2005)

With friendly support by Kulturamt of Frankfurt/Main.

More info: Klosterpresse

 

April 29, 2009 (8 pm)
Zentralbibliothek Essen, Foyer
Gildehof, Hollestraße (Near Central Station Essen)

"Places.Changes - Music in transit…"

I. Portrait Stefan Litwin:

Hanns Eisler: 3.rd Piano Sonata (1943)

Stefan Litwin: Lyon 1943 (Piéce de résistance) for piano (1999)

Charles Ives (1874-1954): 2.nd Piano Sonata, Concord, Mass., 1840-1860 (1904-1915), IV. Movement: Thoreau

Franz Liszt: Lyon, movement from: Album d‘un voyageur for piano (1834)

Stefan Litwin, piano

--- Pause ---

II TRIALOG: Kyungwoo Chun, Kunsu Shim, Gerhard Stäbler

Kyungwoo Chun, Kunsu Shim: Flower Fist (2008, 2009)
A Video by Kyungwoo Chun with music by Kunsu Shim
German Premiere

Kunsu Shim: replace for performers and audience
(1996)

Kunsu Shim: ordinary music for one percussionist (1995)

Kyungwoo Chun, Gerhard Stäbler: Red Book (2008, 2009)
A video by Kyungwoo Chun with music by Gerhard Stäbler
German Premiere

Thorsten Gellings, Percussion
EarPort Ensemble

A Concert organized by Aktive Musik in cooperation with Stadtbibliothek Essen and EarPort Duisburg. Supported by Bureau for cultural affairs Essen.

 

April 4, 2009 (12 am)
Bookstore proust, Akazienallee/Am Handelshof 1 (in Allianzhaus), 45127 Essen, Tel. 02 01 - 8 39 68 40

"proust - WÖRTER + TÖNE"

Gerhard Stäbler is presenting new books and CD´s.

 

April 3, 2009
Folkwanghochschule Duisburg: Small concert hall, Düsseldorfer Str. 19
47051 Duisburg

"Der ferne Spiegel - Three Haikei and More"

Works for koto and recorder(s) by Gerhard Stäbler, Annette Schlünz, Yuji Takahashi corresponding to music in ancient Japan.

Makiko Goto, koto
Jeremias Schwarzer, recorder

An EarPort-Concert in cooperation with Folkwanghochschule and WDR. Free Entrance

 

March 27, 2009 (8.30 pm)
Munich, Allerheiligenhofkirche, Residenzstr. 1,
80333 München

Herzzeit - "JazzLines 2009"
Festival for new and improvised music

Sophie von Kessel and Stefan Hunstein reading letters by Ingeborg Bachmann und Paul Celan. With music by Gerhard Stäbler and Kunsu Shim:

Gerhard Stäbler: Luftspiegelungen – Ein Spiel für Sieben for ensemble (2009), Commissioned by Klangspuren Schwaz
German Premiere

Kunsu Shim: Du.Zeit for ensemble (2009) World Premiere

Kunsu Shim: in zwei teilen for ensemble (2000)

Ensemble TrioLog, Stefan Blum, percussion

More infos: Programm Jazzlines 2009

The concert is being broadcasted by Bayerischer Rundfunk on April 2nd.

 

March 6-26, 2009
Corea-Tournee Kunsu Shim and Gerhard Stäbler including the premiere of the project TRIALOG with the Corean artist Kyungwoo Chun in Seoul, various performances and a masterclass in Busan.

March 14, 2009
Total Museum (6 pm)

"TRIALOG I – Thousands" - Flower Fist
Video by Kyungwoo Chun combined with a new work by Kunsu Shim (2009) World Premiere

Red Book - Video by Kyungwoo Chun combined wuth a new work by Gerhard Stäbler (2009) World Premiere

Gerhard Stäbler: FallZeit for percussion (1997) Corean Premiere

Kunsu Shim: Herzzeit for 4 percussions (2008) World Premiere


On the way to from Total Museum to the Gaain Gallery:

Kyungwoo Chun, Kunsu Shim, Gerhard Stäbler: co-acThing Performance with audience (2009) World Premiere


Gaain Gallery (9 pm): TRALOG II – BreaThings

Kunsu Shim: Aperitif (2009) Performance, World Premiere

Kunsu Shim: 5–10 Tassen oder Schalen for one percussionist (2002/2005)

Kunsu Shim: Legato Performance with audience (2008) Corean Premiere

Gerhard Stäbler:·AugenTanz·MundStücke·HandStreiche·FootPrints·EarPlugs: Performances for lovers (1999)

Gerhard Stäbler: New work. Performance for two (2009) World Premiere

Kyungwoo Chun: An allegory of failure Performance with audience (2007) Corean Premiere

Kunsu Shim: Aus: ich bin, wo ich sein möchte (2007)
Corean Premiere

Interpreters: Hayoung Yoo, Thorsten Gellings, Kyungwoo Chun, Kunsu Shim, Gerhard Stäbler

With kind support by Goethe Institute Seoul

 

March 18-21, 2009
Kyungsung University, Busan (Small and big concert hall): Kunsu Shim, Gerhard Stäbler
Masterclass for Young Composers including a concert


March 25, 2009 (7 pm)
Kumho Art Hall, Seoul

The Story of Music Today IV
"SPACE, SILENCE, IMAGE" - Music and Video
TRIALOG III - A Triple Portrait with Kyungwoo Chun, Kunsu Shim and Gerhard Stäbler

Kunsu Shim: in zwei teilen (I) for big ensemble (2000)

Gerhard Stäbler: white spaces for soprano and string quartet (2002) with a video by Kyungwoo Chun (2002)

Kunsu Shim: echo for soprano und 16 players (2005) World Premiere

Gerhard Stäbler: Die Reise for ensemble and tape (2001-2002)

Kunsu Shim: last night for soprano and string quartet (2008) with a video by Kyungwoo Chun (2009) World Premiere

Kunsu Shim: in zwei teilen (II) for big ensemble (2000)

Interpreters: Contemporary Music Ensemble SORI 2009

 

March 11, 2009 (7,30 pm)
CBSO Centre, Berkley Street, Birmingham

]golder than gold[ for ensemble with various instrumensts (2007) World Premiere

 

March 5, 2009
Rotebühlplatz/Robert Bosch Saal, Stuttgart

internet x 2 / scrap
simultaneous performance of the solo-works
Winter Blumen for baritone-sax and Purple Rugs for marimba solo

Duo Hörlabor:
Armin Sommer, percussion/performance
Nikola Lutz, saxophone, percussion, performance

 

March 1, 2009
National-Theater Mannheim

Riech mal wie das klingt (Smell, how it sounds)
World premiere

Music: Gerhard Stäbler
Choreography: Jule Kracht
Stage and costumes: Nora Lau
Voice: Ute Wassermann
Percussion: Thorsten Gellings

Supported by MVV Energie.

Performances after the premiere:
March 2-4: 11 am
March 5/6, 10 am
March 7, 11.30 am and 4 pm
March 24-27: 11 am
March 28/29: 11.30 am

More infos: Nationaltheater Mannheim

 

February 23, 2009 (7 pm)
Kiew: National Tschaikowsky-Music Academy of Ukraine, Small Concert Hall

Internet 1.1 for piano (1996)

Schmerzprobe for alto voice (1993)

Beppu for trumpet and percussion (1994)

Californian Dreams for accordion (1986)

kopflos for chamber ensemble (1993)                     

Chamber Ensemble "New Musikc in Ukraine": 
Oleg Scheremeta, flute
Andrij Djomin, clarinet
Roman Oleksijenko, trumpet
Roman Jusipej, accordion
Zahar Bibik, percussion
Switlana Gleba, soprano
Swjatoslawa Semtschuk, violin
Polina Kruglowa, alto voice 
Zoltan Almaschi, cello
Andrij Bondarenko, piano

Director: Wolodymyr Runtschak

A concert supported by Goethe Institut Kiew.

 

February 18, 2009 (9.04 - 10 pm)
Radio Berlin Brandenburg

Feature by Margarete Zander about Gerhard Stäbler. With the works:

Rachengold Secret score for voice and a glass of water (1992)

Dalí Musica magica para piano (1995/96)

...und in diesem Blau eine Ahnung von Grün... for soprano, trombone, saxophone and orchestra (2005/06)
Salome Kammer, soprano
Michael Svoboda, trombone
Marcus Weiss, saxophone
Symphonic orchestera of Saarländischer Rundfunks
Peter Rundel, conductor

 

February 11, 2009 (5 pm)
University of Birmingham

"we live the opposite daring" – A lecture by Gerhard Stäbler about his work, especially about his new composition ]golder than gold[ for ensemble (2007), premiered in March 2009 at University of Birmingham.

 

January 24, 2009 (8 pm)
Kelkheim-Ruppertshain (Robert-Koch-Straße 120 A)

"Art against coldness"

¿una linea? for 3-5 voices with percussion and key-instruments (2007/08) World premiere

belcanto Ensemble

 

January 19, 2009
Rome: Libreria Bibli, Via dei Fienaroli, 28 I-00153 Trastevere Roma

"Roma Contemporary Music in Live Streaming Connection"

Internetx2/Scrap for viola, guitar and tape (1995-2001/2008)

Maurizio Barbetti, viola
Francesco Cuoghi, guitar and live electronics

More infos: Maurizio Barbetti

Live Stream: Concert 19.1.

 

January 18, 2009
WDR 3 Open (23.05 - 0 Uhr)

Den Müllfahrern von San Francisco for big ensemble (1989)

Presentation: Björn Gottstein

 

Januar 2009
ArtMusicBook with the artist Kyungwoo Chun and the composer

Gerhard Stäbler, Kunsu Shim and the Corean artist are invited to Mallorca in order to work on an ArtMusicBook with the title TRIALOG. A PerformanceConcert is presented at the end of the extensive collaboration of the three artists.

 

zurück2008

 

December 11, 2008 (8 pm)
Staatsoper Hamburg, opera stabile
"The Link to today's music"

Xmess for voices, instruments, kitsch and action (2002)

ensemble Intégrales
Introduction to the concert: 6.45 pm

 

December 2008 (8.30 pm)
Sophienkirche Berlin

"HALT'S MAUL" – vocal concert with works in physical borderlands

drüber... for eight active screamers, cello, synthesizer and tape (1972/73)

Interpreters: Maulwerker Berlin

More informations: Maulwerker

 

November 15, 2008
Galerie Packschuppen, Glashütte

"5. Cottbusser Musikherbst"

...im Spalier... Musical thoughts to the fantasies by John Bull and Don Carlo Gesualdo for brass (1990)

Brass-Invent

More Informations: Brass Invent

 

November 14, 2008
Spittal, Österreich

DRAU FESTIVAL

Internetx2/scrap for viola, guitar and tape (1995-2001/2008) World premiere

Maurizio Barbetti, viola
Francesco Cuoghi, guitar und live electronics

 

November 9, 2008
Marburger Kunstverein

Internetx2/scrap (2002/05)

simultaneous performance of:

purple rugs for marimbaphone (2005) and Winter, Blumen for saxophone (1995)

Nikola Lutz, soprano/saxophone
Armin Sommer, percussion/voice

More Informations: Marburger Kunstverein

 

November 1 and 2, 2008
Schloss Ringenberg 
"happy for no reason"
Workshop - Performance - Talk

Meeting the composers Gerhard Stäbler and Kunsu Shim

Programme November 1:
Workshop with children, studying a new performance (4 pm)

Programme November 2:
Last rehearsal of the performance given as final presentation of the workshop (11 am); "Open workshop" for visitors of an exhibition in the castle Ringenberg (12 am) and ConcertPerformance (5 pm)

More infos: Schloss Ringenberg

 

October 22-24, 2008
Petrikirche / Mülheim an der Ruhr

Utopie jetzt!

Workshop for pupils with Matthias Kaul, Kunsu Shim and Gerhard Stäbler

 

October 4, 2008 (5 pm)
Wilhelm Lehmbruck Museum Duisburg: MUZIEK BIENNALE NIEDERRHEIN

"passages – this sky"
Music in "time" and "space"

Works by Gerhard Stäbler, Kunsu Shim, Michael Oesterle and Franz Schubert.

Kunsu Shim: LANGEN I for baritone and percussion quartet (2004)
Commissioned by Langen Foundation (Neuss)

Michael Oesterle: for kunsu shim for violin solo (2008)
World premiere

Gerhard Stäbler: SPICES (3) for three percussions and electronic sounds (2001)

Kunsu Shim: LANGEN II for baritone and percussion quartet (2004)
Commissioned by Langen Foundation (Neuss)

Kunsu Shim: shortly – for ever for string quartet (2008)
World premiere

Franz Schubert: String quartet No. 12 (unfinished)

Kunsu Shim: this sky for percussion quartet (2004)
World premiere

Entrance: 5 Euro (2.50 Euro special prize)


Program 9 pm:
EarPort, "Garten der Erinnerungen", Inner harbour Duisburg

"here" - Performances by Kunsu Shim and Gerhard Stäbler

Rita Balta, soprano
Tonio Schibel, violin
Bernd Bleffert, sound objects
Schlagquartett Köln
Soloists of Duisburger Philharmoniker
EarPort Ensemble

Organized by EarPort, Philosophenweg 17a, 47051 Duisburg. A cooperation with Muziek Biennale Niederrhein, Foundation Wilhelm Lehmbruck Museum, Duisburg Philharmonics and city Duisburg.

More infos:
Muziek Biennale Niederrhein

 

September 27, 2008 (3 pm)
Bergen, Norway: BrassWind Festival

Red on black, version for brass instruments (1986)

Manger Musikklag (Conductor Thomas Rimul)

More information: Brass Wind Festival

 

September 25, 2008
Sonic Fusion Festival, Napier University Edinburgh

Übungen der Annäherung Trio for clarinette(s) or saxophon(es), percussion and piano (2007)

blütenlos. Monodie for soprano, flute, violin, cello, accordion or piano (2004)

Cassandra. Music for voice, percussion and tape (1996)

Interpreters: Research Ensemble

More information: Sonic Fusion Festival

 

September 23, 2008
DeutschlandRadio (11.05 pm - 0.00 pm)

Polyphonie von Welten - Gerhard Stäbler, Kunsu Shim and the EarPort in Duisburg

A Feature by Florian Neuner

September 23, 2008
Logos Foundation Gent

"New German Music"

Internet 1.5.for piano (1996)

Martin Tchiba, piano

More information: Logos Foundation Gent

 

September 21, 2008 (3 pm)
Sonic Fusion Festival, Napier University Edinburgh

Piano Recital Mabal Kwan (Chicago)

Gerhard Stäbler: !? - Musical Essay about the limits of the possible for piano (2001)

Kunsu Shim: Intermezzi 1-12 for piano (2002)

More information: Sonic Fusion Festival

 

September 21, 2008 (11 am)
Wilhelm Lehmbruck Museum Duisburg

Concert on the occasion of Bernhard Wambach´s 60th anniversary

Gerhard Stäbler: around for piano and string trio (ad lib.) (2008)

Kunsu Shim: vom möglichen leben for piano, string instruments and performance (2008)

Jacek Klimkiewicz, violin
Hideko Kobayshi, viola
Friedemann Pardall, cello
Bernhard Wambach, piano
Tobias Schwencke, piano
Kunsu Shim and Gerhard Stäbler, performance

 

September 19, 2008
Klangspuren Schwaz (Austria)

LUFTSPIEGELUNGEN. Ein Spiel für Sieben for trumpet, trombone, two percussions, piano, e-guitar and cello (2008) World premiere

Ensemble Ascolta
Commissioned by Klangspuren Schwaz.

More infos: Klangspuren Schwaz

 

September 14, 2008
Klangspuren Schwaz (Austria)

Gerhard Stäbler will participate a discussion in the frame of the festival "Klangspuren Schwaz" and present his new performance Fund.Stücke - Ein Vabanque Spiel (2008)

Gerhard Stäbler, Performance

More infos: Klangspuren Schwaz

 

September 12, 2008 (8 pm)
Lindenkirche Wilmersdorf (Berlin)

Windows for organ (1983)

Thomas Noll performing on a Bosch-Organ with more than 90 register and 5 manuals.

 

September 5, 2008 (8 pm)
Kapernaumkirche Wedding (Berlin)

Heiß for organ (1988)

Thomas Noll performing on a III/39 Karl-Schuke-Organ from 1959.

 

August 17, 2008 (9 pm)
Plakias (Crete, Greece)

International Masterclasses
Performance Workshop Concert

Gerhard Stäbler: Cassandra for percussion, voices and tape (1996)

Gerhard Stäbler: AugenTanz, from: performance for lovers (1999)

Kunsu Shim: Happy for no reason for one performer (2000)

 

July 15, 2008 (8.30 pm)
Internationale Darmstädter Ferienkurse 2008

...ins Offene..., Five Songs for soprano, mezzosoprano, countertenor, tenor, baritone and bass (2008) - world premiere

Commissioned by Neuen Vocalsolisten Stuttgart

More infos: Darmstädter Ferienkurse

 

July 13, 2008 (5 pm)
Internationale Darmstädter Ferienkurse 2008

]upon dry land[ for piano and percussion (2005) World premiere of the extended version.

DuoKonflikt: Kaya Han, piano/Isao Nakamura, percussion

More infos: Darmstädter Ferienkurse

 

June 30 - July 4, 2008
Kunstforum Hellerau, Dresden

"Sommerakademie Dresden"

In the frame of the summer academy Gerhard Stäbler will present an interdisciplinary and experimental project, that will be performed in Dresden in 2009.

More infos: Kunstforum Hellerau

 

July 2, 2008
Kunstforum Hellerau, Dresden

Cassandra for soprano, percussion and tape (1997)

More infos: Kunstforum Hellerau

 

June 28, 2008 (3 pm)
Brighton: Pavilion Theatre

Soundwaves Festival

"Shoot the pianist" – a collection of music by Aperghis, Fujikura, Staebler (Belfast Breakfast Songs for voice, 1996), Sorensen, Richard Thomas and Giles Swayne with pre-recorded vocal improvisations and two new spnm shortlisted works.

Loré Lixenberg (voice)

More infos: Soundwaves Festival

 

June 8, 2008 (11.30 am)
Kassel, Ständehaus
A-cappella-Matinee "Kadenz"

· PAPIER · WORT · TOD · SPUR
A vertical music as a hommage to Roberto Juarroz (1925 - 1995) for vocal ensemble (2007)

Vocal ensemble Kassel (Dir. Eckhard Manz)

 

May 30, 2008 (5 pm)
Saarbrücken, Stadtgalerie
Festival of Saarländischer Rundfunks:
MOUVEMENT


"Sound-Sign" - Traditional and new music for koto (Japanese cither) and shakuhachi (Japanese bambus flute) face to face to calligraphic works by master Masanori Taki.

Gerhard Stäbler: Ithaka for 13-string koto (and voice) (2003)
Shakuhachi-Honkyoku for shakuhachi solo
Krngyo Yatsuhashi: Hachi-Dan for koto solo Shakuhachi-Honkyoku for shakuhachi solo
Toshio Hosokawa: Koto-Uta for voice and koto (1999)

Makiko Goto, koto
Wolfgang Hessler, shakuhachi

 

May 26, 2008
Montreal: Sala Rossa

"10 years Kore-Ensemble Montreal"

Winter, Blumen for violin solo with accessoires (1995)

Clemens Merkel, violin

More infos: Kore-Ensemble

 

May 25 - August 31, 2008
Kunstverein Ruhr, Essen (City), Kopstadtplatz 12

Kyungwoo Chun:
SAPPHO : OHPPAS - 2 channel video installation referring to Sappho-Trilogie by Gerhard Stäbler

More infos: Kunstverein Ruhr

 

May 25, 2008 (11.30 am)
Foundation Wilhelm Lehmbruck Museum - Centre of international sculpture

Vernissage of the exhibition
"digital art in rooms"
in the frame of the festival "Duisburger Akzente"
with works by Gerhard Stäbler and Kunsu Shim

!? – Musikalischer Essay über die Grenzen des Möglichen for electric or mechanic keyboard (or accordion) (2001)

…simultaneously with the digital film video by Pietro Sanguineti: few seconds of nature (2003)

Seonkyong Kim, piano

 

May 17, 2008 (8.05 pm - 11 pm)
WDR 3: Radio Programme with works by Stäbler and Shim

The programme refers to Stäbler´s and Shims works being presented as world premieres on April 25.

Kunsu Shim: Quell. Nacht (I and II) for splitted orchestra (2008)

Gerhard Stäbler: SAPPHO TRILOGIE I-III. Music for soloists, choir, splitted orchestra and tape (2006)

 

May 15, 2008
Universität der Künste, Bremen

Winter, Blumen for theremin with accessoires (1995)
INTERNET 1.5 for piano (1997)

Lydia Kavina, theremin

 

April 25, 2008
WDR Fest Duisburg
Kraft·Zentrale 
Landschaftspark Duisburg Nord

6 pm: Preprogramme with music, lectures and dinner
8 pm: Main program

- - - - - - - - - - - - - - - - - -

Preprogramme 6 pm

Giacinto Scelsi (1905–1988)
Riti: I Funerali d`Achille for four percussions (1962)

Panayotis Kokoras (*1974)
Breakwater for tape (2000)
... simultaneously to the poem
Der Abstieg der Neun by Thanássis Valtinós

Sappho, Fragment Poem from Book 1 (No. 10), translated and read by Jörg Detmold

Gerhard Stäbler (*1949)
Ithaka Paraphrase on the poem by Alexandrian poet Konstantinos Kavafis (1963-1933) for 13-stringed Japanese Cither Koto (and voice) (2003)

Paul Celan (1920-1970)
Different poems (as introduction to Steinschlag·Zeit for orchestra by Kunsu Shim)

Katerina Tzedaki
Jyoti, Stereoversion of an eight channel composition with electronic sounds (2007)
... simultaneously with the Sappho fragment
Ich aber bin dem Glanz verfallen
from Book IV (No. 15) translated by Jörg Detmold

Luigi Nono (1924-1990)
Post-Prae-Ludium per Donau for Tuba solo and live elektronics (1987)

Jiannis Ritsos (1909-1990)
Es hungern die Augen Poem

Luciano Berio (1925-2003)
Sequenza III for voice (1966)

Paul Celan (1920-1970)
Stehen, im Schatten Poem

Members of the young orchestra NRW
Direction: Thomas Oesterdiekhoff

Melvin Poore, Tuba

Salome Kammer, Sopran

Members of the theater GeVis&schnee from Gymnasium Voerde
Direction: Jörg Detmold

- - - - - - - - - - - - - - - -

Main Programme (8 pm)

· WHAT YOU LOVE · Sappho
Music for soloists. choirs. orchestra. light and video. With works by Gerhard Stäbler, Dieter Schnebel/Franz Schubert and Kunsu Shim with videos by Kyungwoo Chun

Inside. Outside
Hearing, watching, smelling, tasting 

An academy project of Duisburger Philharmoniker and the young orchestra NRW in cooperation with Musikfabrik NRW.

Program (8 pm):

Kunsu Shim: Quell. Nacht (I) for splitted orchestra (2008) World premiere

Dieter Schnebel: Schubert-Phantasie for splitted orchestra (2008)

Kunsu Shim: Quell. Nacht (II) for splitted orchestra (2008) World premiere

Gerhard Stäbler: SAPPHO TRILOGIE I-III. Music for soloists, choir, splitted orchestra and tape (2006) World premiere

Interpreters:
Salome Kammer, soprano
Young orchestra NRW
Duisburger Philharmoniker
MusikFabrik NRW
Chor der Universität Witten/Herdecke

 

April 25, 2008 (8 pm)
Initiative Stolpersteine Frankfurt
Dr. Hoch's Konservatorium / Musikakademie Frankfurt am Main, Engelbert Humperdinck Saal

"MUTTERLAND WORT"
A concert with Jewish poetry from German speaking Bukowina

Bridges for mezzo soprano and accordion (1996/97)
Music based on Paul Celan´s Fernen

 

April 17, 2008 (8 pm)
Music library in central library Essen 
Hollestr. 3 (Gildehof) Essen-Stadtmitte

PORTRAIT SEONKYUNG KIM (I) with EarPort Ensemble

Ludwig van Beethoven: Piano sonata op. 111
c-minor (1821/22)
Maestoso - Allegro con brio ed appassionato
Arietta - Adagio molto semplice e cantabile

Franz Liszt:
1. Die Trauer-Gondel (II) for piano (1882)
2. Unstern for piano (1880/86)

Gerhard Stäbler:
...leaving the gold... for piano, voice and tape (2004)
simultaneous with Kunsu Shim:
softspeaker for microphone

Kunsu Shim:
Song of Wind for piano 1988 (rev. 92)

Gerhard Stäbler:
Dalí - Música mágica for piano (1995/96)

Interpreters:
Seonkyung Kim, Klavier
EarPort Ensemble

 

April 11 (8 pm), April 12 2008 (5 pm)
Womens International Film Festival, Filmtheater Artreon 6, Seoul
 

Film by Barbara Hammer with music by Gerhard Stäbler: Karas.Kräen Electronic music (1994/95) (1999/2000)

More information: Filmfestival WFFIS

 

March 29, 2008 (5 pm)
Stiftung DKM, Duisburg-Inner harbour, Philosophenweg 17a

Music by Gerhard Stäbler and Kunsu Shim (among others) presented by the koto player Makiko Goto in the frame of an exhibition Hayato Goto (February 29 - June 22)

A cooperation of EarPort, centre for contemporary music and the foundation DKM.

More Infos : Stiftung DKM

 

February 28 / March 1, 2008
Art Academy Oslo

Hart auf hart. Improvised. Calculative.
Graphic score (1986)
Version for dance and music

Direction: Thomas Rimul

 

February 22, 2008
Toronto, Music Gallery

Nadia Francavilla & D'arcy Gray
"Décagé" - PerformanceEvening

FallZeit for one or two percussions (1997)

 

February 19, 2008
Saarländischer Rundfunk

beats for percussion solo and string quartet (1998)

Dirk Rothbrust, Schlagzeug
Minguet Quartett

 

February 10, 2008
Munich, Festival Musica Viva

...vanishing into silence... for cello and ensemble (2008) World Premiere

Members of Bayerisches Symphonieorchester

 

January 25, 2008 (8 pm)
Mainfranken Theater, Würzburg

Letzte Dinge Action with music based on a libretto by Hermann Schneider and Alexander Jansen to Paul Auster´s novel "In the country of last things" for 3 voices, percussion and tape (2007)

 

January 24, 2008 (8 pm)
Mainfranken Theater, Würzburg

Letzte Dinge Action with music based on a libretto by Hermann Schneider and Alexander Jansen to Paul Auster´s novel "In the country of last things" for 3 voices, percussion and tape (2007)

 

January 15, 2008 (6 pm)
Kammermusiksaal der Hochschule für Künste Bremen, Dechanatstraße 13-15

Concert and talk with Gerhard Stäbler

hyacinth for percussion (1997)

Winter, Blumen for violine solo (1995) 

Belfast Breakfast Songs for voice (1996) 

KARAS.KRÄHEN for accordion and tape (1994/95) 

Nadja Arnold (percussion)
Quan Yuan (accordion)
Johannes Haase (violine)
Janina Kriszun, Max Börner (voice)

 

January 8 / 13, 2008
Music Academy Stuttgart

drüber for eight active screamers, cello and tape (1972/73)

Students of Music Academy Stuttgart
Angelika Luz, director

 

January 6-13, 2008
EarPort, Duisburg Inner harbour; Lehmbruck Museum Duisburg; City Hall Duisburg

EarPort WinterFestival: A week and and a day (III)

"WINTER DREAMS"

January 6 (Sunday) 
10 - 12,30 am: Workshop I, EarPort
5 pm: "WinterVoice" - Concert for voice und piano, Wilhelm Lehmbruck Museum
Martin Lindsay, Baritone; Seonkyung Kim, Piano
7.30 pm: Vernissage of the exhibition Jan Stárek (Prague Düsseldorf), EarPort

January 7 (Monday)
10 - 12,30 am: Workshop II, EarPort
10.30 pm: Culture trip (Registration necessary)  

January 8 (Tuesday)
10 - 12,30 am: Workshop III, EarPort
1 pm: EarPort Composition Prize – Award in Duisburg City Hall

January 9 (Wednesday)
10 - 12,30 am: Workshop IV, EarPort
7,30 pm: "Winter Piano" (I) - Concert with the Piano duo Aya and Kozue Hara

January 10 (Thursday)
7,30 pm: PerformanceConcert with Kunsu Shim and Gerhard Stäbler, EarPort

January 11 (Friday)
10 - 12,30 pm: Workshop V, EarPort 
with Seonkyung Kim and Aya & Kozue Hara
7 pm: "Winter Piano (II)" - Concert with Udo Falkner, EarPort

January 12 (Saturday)
10 - 12,30 am: Workshop VI, EarPort
with Bernd Bleffert (Percussion)
7,30 pm: Instrumentalperformance with sound objects, EarPort
(Bernd Bleffert with participants of the workshops)

January 13 (Sunday)
10 - 12,30 am: Workshop VII, EarPort
5 pm: "WinterWind" - Concert for recorder and piano, EarPort
Gudrun Heyens, Recorder; Seonkyung Kim, Piano

Followed by a finissage of the exhibition Jan Stárek

zurück 2007

 

December 19, 2007
Maribor, Slovenia, Conservatory of Music

"Concert Tango Lunaire"

Black Tiger Tango for accordion

Janne Rättyä, Accordion

 

December 14, 2007 (7.30 pm)
Kleiner Konzertsaal, Folkwang Hochschule, Duisburg, Düsseldorfer Str.

"Winter, Blumen"

Concert with works by Gerhard Stäbler, Kunsu Shim, Iannis Xenakis, Joh. Seb. Bach, among others

Lucia Mense, recorders
Dirk Rothbrust, percussion
EarPort Ensemble

 

December 7, 2007
Carl Orff Saal, Gasteig, Munich
"Klangaktionen"

]UPON DRY LAND[ for piano and percussion (2005)

 

December 5, 2007 (5 pm)
Oberhausen-Sterkrade, Freiherr vom Stein Gymnasium

Xmess for voices, instruments, kitsch and action (2002)

Pupils of Freiherr vom Stein Gymnasium
Anke Haun, director

 

December 3, 2007 (7.30 pm)
Minoritensaal, Graz

el camino – una fiesta – el camino? for accordion and ensemble (2007), world premiere

Janne Rättyä, accordion
Ensemble Zeitfluss (Director: Edo Miçiç)
Commissioned by Kunststiftung NRW

 

December 1, 2007 (8 pm)
Media Centre Ratingen, Peter-Brüning Platz 3

Windows-Elegies for piano (1983)

Udo Falkner, piano

 

November 30, 2007
Mainfranken Theater, Würzburg

Letzte Dinge Action with music based on a libretto by Hermann Schneider and Alexander Jansen to Paul Auster´s novel "In the country of last things" for 3 voices, percussion and tape (2007) World premiere

 

November 19 , 2007
Meiji Schrein, Tokyo

spectre for sho (2004/2005)

Mayumi Miyata, Sho (Japanese Mouth Organ)

 

November 16, 2007
Leipzig: "Contemporary Music presented in trams", Forum für zeitgenössische Musik Leipzig
 

Works by Gerhard Stäbler (Belfast Breakfast Songs for voice, 1996), Steffen Schleiermacher, Thomas Chr. Heyde a.o.

Departures of the trams: 
7 pm (Departure: Station Wittenberger Str.)
8 pm (Departure: Station Wittenberger Str.)
9 pm (Departure: Station Kurt-Schumacher-Str.)

More Information: Forum für zeitgenössische Musik Leipzig

 

November 13, 2007 (8 pm)
Neue Musik-Reihe SIGNALE, Mannheim, Alte Feuerwache

Winter, Blumen for Theremin with Accessoires (1995)

Ensemble touch! don´t touch!
Lydia Kavina, Theremin virtuoso
Heather O´Donnell

 

November 6, 2007 (8 pm)
GZM-Festival, Klangbrücke, Aachen

Winter, Blumen for Theremin with Accessoires (1995)

Ensemble touch! don´t touch!
Lydia Kavina, Theremin virtuoso
Heather O´Donnell

 

November 5, 2007 (6.30 pm)
Jüdische Gemeinde, Valentin-Becker-Str.11, Würzburg


Winter, Blumen for Theremin with Accessoires (1995)

Ensemble touch! don´t touch!
Lydia Kavina, Theremin virtuoso
Heather O´Donnell

 

November 4, 2007 (8 pm)
Ballhaus Naunynstraße: Klangwerkstatt Berlin - Festival for New Music

Winter, Blumen for Theremin with Accessoires (1995)
Ensemble touch! don´t touch!
Lydia Kavina, Theremin virtuoso
Heather O´Donnell

 

November 4, 2007
Wien Modern, Alte Schmiede

Black Tiger Tango for accordion (2006)
Austrian Premiere

Janne Rättyä, accordion

 

November 4, 2007 (4 pm)
Wilhelm Lehmbruck Museum, Duisburg-city, Düsseldorfer Str.

"Love - Musik and Love"

Zeichnung - Solo for recorders (1995)

Gerd Lünenbürger, recorders

 

November 4, 2007 (18.20 pm) SWR 2

"Hummelflug" - Hörspiel by Naomi Schenck with music by Gerhard Stäbler. Radio premiere

First presentation in concert: November 11, 2007 in the frame of "Hörspieltage", a festival organized by the Centre for Arts and Media in Karlsruhe

 

November 3, 2007 (10.30 pm)
BBC Radio 3

Alwynne Pritchard presents:
"Hear and Now"

INTERNETx5/SCRAP for Ensemble (2002)

Uroboros Ensemble (London)
Transmission of the British Premiere in The Warehouse, London, June 21, 2007

More Informations: Website BBC

 

November 2, 2007 (8 pm)
Villa Elisabeth, Invalidenstr. 3, 10115 Berlin

Zeichnung - Solo for recorders (1995)

Gerd Lünenbürger, recorders

More informations: Villa Elisabeth

 

November 1, 2007 (3 pm)
Kunststation St. Peter, Cologne

"Orgel-Mixturen" - 3rd International Festival for contemporary Music for Organ

TAP for organ pedal solo (1998)

Thomas Noll, organ

More Informations: Orgel Mixturen

 

October 26, 2007 (8 pm)
Marktkirche, Essen-City

Music Paradise: "HYACINTH - Night"

Concert with old and new works

hyacinth, liquid.scents for percussion (1997)

FallZeit für Schlagzeug (1997)

Winter. Blumen for recorder(s) and additional instruments (1995)

Lucia Mense, recorders
Dirk Rothbrust, percussion
EarPort Ensemble

A cooperation of Aktive Musik (Essen), EarPort (Duisburg) and Marktkirche Essen. Supported by the Bureau for Cultural Affairs Essen.

 

October 23, 2007
Programme on Hessischer Rundfunk 2

Smell, how it sounds - The composer Gerhard Stäbler

A portrait by Achim Heidenreich

 

October 22, 2007
Ilkhom Theater, Tashkent (Usbekistan)

Footprints (1999), HandStreiche (1999), AugenTanz (1999), MundStücke (1999) - Performances for Lovers

Arnold Marinissen, percussion

 

October 21, 2007 (11 am)
Philharmonie Essen

PAPIER · WORT · TOD · SPUR A vertical Music as hommage to Roberto Juarroz (1925 - 1995) for vocal ensemble (2007)

Commissioned by Kantorei St. Martin for the vocal ensemble Kassel directed by Eckhard Manz

 

October 11, 2007
Radio Programme MDR

Übungen der Annäherung for clarinet, percussion and piano (2007) World Premiere in Dresden

ensemble courage

 

October 6, 2007
Festspielhaus Hellerau, Dresden

vidrio astillado for four hand piano and string quartet (2007) World premiere

Commission by the European Centre of the Arts Hellerau.

Silver-Garburg Piano Duo, Vogler-Quartett

 

October 4, 2007
Festspielhaus Hellerau, Dresden

Übungen der Annäherung for clarinet, percussion and piano (2007) World premiere

Commission by the ensemble courage.

 

September 27, 2007 (7,30 pm)
and September 29, 2007 (2 pm & 7,30 pm)
The Glaser Center, Santa Rosa

crossing points - created by
Kathie Schmid AND RABBLE-FISH ENSEMBLE

An original theatrical and musical performance exploring borders using the words of SoCo residents – part of the county-wide Performance Sonoma
festival.
Borders and boundaries create our lives’ vital distinctions. Our original theater piece tells the stories of these edges and perimeters of ourselves, and our personal, cultural and national identities. What happens when these borderlands are crossed… or not?
Rabble-Fish Theater brings together world class performers and musicians from Europe, NY and Sonoma County, to create this new work using the collected words of local residents.
Our artists also cross borders of their disciplines, expanding their usual expression forms. Evocative movement, live music soundscapes and visual images encourage a deeper reflection upon the fluid and fluctuating nature of boundaries and borders in our lives.

Contributing Artists:
Kathie Schmid: actor, writer, director (Sonoma County)
Dirk Rothbrust: percussion (Germany)
Janne Rättyä: accordion (Finland)
Daniel Derdula: performance (Sonoma County)
Gerhard Stäbler: composer (Germany)
Kunsu Shim: composer (Germany)
Jörg Detmold: dramaturge/co-director (Germany)
Rosalie Wardell: photographs/artist (Sonoma County)
Kate Weare: choreography (New York)

Rabble-Fish Theater, founded by Sonoma County actor and artistic director Kathie Schmid, is dedicated to the creation of dynamic, inter-disciplinary theater in Sonoma County through an ongoing collaboration with visionary American and international performing artists.

For more informations: Rabble-Fish Theater

 

September 24, 2007
Meiji Schrein, Tokyo

spectre for sho (2004/2005)

Mayumi Miyata, Sho (Japanese Mouth Organ)

 

September 23 (5:30 pm)
Congregation Shomrei Torah, Santa Rosa

Internet 1.2 for accordion (1996/97)
Hart
auf Hart for percussion (1986)
Black Tiger Tango for accordion (2006), American Premiere

Janne Rättyä, accordion
Dirk Rothbrust, percussion

 

September 16, 2007
Radio KBCS 91.3 FM, Seattle (USA)

"Flotation Device" with Chris deLaurenti

Heiß! for organ

Gabriele Müller and Gerhard Stäbler (Organ)

More Information:
Radio KBCS
Website Chris De Laurenti

 

September 15, 2007
Theaterfest, Mainfranken Theater, Würzburg

HandStreiche - Performances for Lovers (1995)

 

September 4 and 5, 2007
National University of Singapore, Yong Siew Toh Conservatory of Music

Lecture by Gerhard Stäbler and Kunsu Shim dealing with graphic scores by Stäbler, Shim and the New York School.

 

August 31, 2007 (2.05 am)
DeutschlandFunk
"Nightconcert"

Traum 1/9/92 for saxophone, cello, piano and ensemble (1992)

Marcus Weiss, saxophone
Michael Bach, cello
Paulo Alvares, piano
MusikFabrik NRW (Dir. Johannes Kalitzke)

 

August 31, 2007
University of Sydney, Sydney Conservatorium of Music, Building C41

Den Müllfahrern von San Francisco for ensemble (1989/90)

Modern Music Ensemble (Dir. Daryl Pratt)

 

August 29, 2007 (12 am)
University of Sydney, Sydney Conservatorium of Music

Den Müllfahrern von San Francisco
Lecture on the music of Gerhard Stäbler

 

August 19, 2007 (11 am)
Ludwiggalerie, Schloss Oberhausen

"MAL-ZEIT – MALZEIT"

Vernissage with sound-performances created by pupils in Oberhausen

Schmatz! An action for dishes (2007) World premiere
AugenTanz - Performance for one performer (1999)

 

August 18, 2007
Kirche St. Martin, Kassel

TAP for Organ pedal solo (1998)

World premiere
Andreas Fröhling, Orgel

 

August 17, 2007 (7 pm)
Europäisches Zentrum der Künste Hellerau, Dresden
Hellerauer Sommerakademie

Winter, Blumen for soprano with accessoires (1995)

Annette Jahnns, soprano
Gerhard Stäbler, sirens

 

August 15, 2007 (10 am)
Europäisches Zentrum der Künste Hellerau, Dresden
Hellerauer Sommerakademie

Papier.Wort.Tod.Spur - Aphorisms to the experimental music theatre

 

July 21, 2007
EarPort, Duisburg-Innenhafen

Windows for piano (1983)

Seonkyung Kim, piano

 

July 7, 2007
Kirche St. Martin, Kassel

PAPIER · WORT · TOD · SPUR A vertical music as hommage to Roberto Juarroz (1925 - 1995)
for vocal ensemble (16-22 voices) (2007)

World premiere. Comissioned by Kantorei St. Martin for the vocal ensemble Kassel directed by Eckhard Manz.

 

July 1, 2007 (11 am)
Hessisches Staatstheater Wiesbaden:
20 Years Music-Theatre-Workshop

]and on the eyes black sleep of night[
for piccolo flute, oboe and clarinet (B) (2007)
World Premiere

Members of Ensemble Recherche from Freiburg

 

June 21, 2007 (7.30 pm)
The Warehouse, 13 Theed Street, Waterloo, London SE

INTERNETx5/SCRAP for ensemble (2002) - British Premiere

Uroboros Ensemble London

 

June 11 - 14, 2007
Gymnasium Wolfskuhle, Essen: Project "Tonleiter" supported by City Essen:
Music and Image – Image and Music

Workshop with the painter Dagmar Schenk-Güllich und the composers Gerhard Stäbler and Kunsu Shim

 

June 5, 2007 (7.30 pm)
EarPort, Duisburg-Inner harbour: "TRACES"
PerformanceConcert with works by Gerhard Stäbler and Kunsu Shim

Gerhard Stäbler:

Hart auf hart
Improvisatorical. Calculative (1986)
Music for ensemble(s)

pièces chaudes for 4-hand piano (2005)

Kunsu Shim:

Orte Performance (2005)

trace, elements (II)
for 4-hand piano (2005)

Aus: 54 things, Nr. 14
for piano (2005)

 

May 27, 2007 (6 pm)
Music academy Rheinsberg: "Water Music"

Gerhard Stäbler, Kunsu Shim: auf dem wasser, ein gesicht for koto solo (2005)

Makiko Goto, koto

 

May 26, 2007 (9.30 pm)
Musikakademie Rheinsberg, Schlosstheater

]UPON DRY LAND[ for piano and percussion (2005)
World Premiere

 

May 26, 2007 (8 pm)
Essen, Philharmonie (RWE Pavillon): Piano-Festival Ruhr: Player Pianos and other mechanical music - a party for sounding machines

playmanic for two player pianos (1998/99)

 

May 20/21, 2007 (7:30 pm)
OENM.Academy Concert
University Mozarteum Salzburg, Big Studio


Den Müllfahrern von San Francisco
for ensemble (1989/90)

Österreichisches Ensemble für Neue Musik (OENM)
Students for conducting and instruments
Direction: Dennis Russell Davies

 

May 13, 2007 (6 pm)
Fabrik Heeder, Krefeld

Christine Brunel: Assemblage
Solo dance with music by Gerhard Stäbler and Kunsu Shim

More Information: Tanz NRW-Aktuell

 

May 11, 2007 (8 pm)
Marktkirche Essen: "Music Paradise"

May 12, 2007 (7.30 pm)
Wilhelm Lehmbruck Museum: "Duisburger Akzente 2007"

New works by Geir Johnson, Bohyun Kim and Kunsu Shim. Gerhard Stäbler´s Nachmittagssonne, a chamber opera based on poems by Konstantin Kavafis (1863-1933) (2005) is given as a German premiere in a concert version.

Martin Lindsay, baritone
EarPort Ensemble with Tonio Schibel (violin), Sophia Reuter (viola) and Anja Schröder (cello)

 

May 6, 2007 (12 am) Alte Cuesterey, Kulturhistorischer Verein Borbeck, Weidkamp 10: "Exhibition Dagmar Schenk-Güllich"

Peter Józsa, concert pianist from Budapest and pupil of the famous Russian pianist Boris Bloch, is presenting works by Gerhard Stäbler (Pièces chaudes, version for two hands), Johann Sebastian Bach, Bela Bartók, Franz Liszt, Franz Schubert and Claude Debussy.

 

May 5, 2007 (8 pm)
Leonhard-Gläser-Saal Siegen:
"Wasser-Musik"

Wasser.Zeichen for soprano, orchestra, ensemble and electronics (2007) Wolrd Premiere of the work comissioned by the Philharmonie Südwestfalen

Annette Robbert, voice
Philharmonie Südwestfalen (Dir. Russell N. Harris)

 

May 4, 2007 (8:30 pm)
Music Academy Nuremberg
Festival "Aktuelle Musik"
Music Academy: Kammermusik-Saal,
Veilhofstr. 34

Ithaka for Koto solo (2003)

Makiko Goto, Koto

 

April 29, 2007
Wilhelm Lehmbruck Museum Duisburg

Dalí for piano (1996)

Seunkyung Kim, piano

 

April 22, 2007
Seattle, Washington (USA)
Radio KBCS 91.3 FM

Wirbelsäulenflöte An isometric poem by Wladimir Majakowski for piano, bass-clarinet, voices, a conducting player and percussion (1984)

Rachengold Secret score for a vocalist (1992)

 

April 21, 2007 (7.30 pm)
Kunstlabor Essen e.V., Schule an der Waldlehne 111, 45149 Essen-Margarethenhöhe

Peter Józsa, concert pianist from Budapest and pupil of the famous Russian pianist Boris Bloch, is presenting works by Gerhard Stäbler (Pièces chaudes, version for two hands), Johann Sebastian Bach, Bela Bartók, Franz Liszt, Franz Schubert and Claude Debussy.

 

April 19, 2007 (8 pm)
Societätstheater Dresden: Global Ear 3: Fokus Japan

If not, Winter for koto and renaissance tenor recorder (2006/07) World Premiere

Makiko Goto, koto
Jeremias Schwarzer, recorder

 

April 13, 2007 (5.30 pm)
Festival Happy Days, Concerts in a shopping mall in the centre of Oslo

Hart auf Hart for ensemble (1986)

Ellen Aagaard, soprano
Affinis-Ensemble

 

March 22, 2007
Programme broadcasted by WDR 3

Hommage (for Friedrich Hommel) Co-composition by Joël Durand, Christopher Fox,Toshio Hosokawa, Klarenz Barlow, Robert HP Platz, Brian Ferneyhough and Gerhard Stäbler

 

March 19./20. 2007
Thessaloniki, University, Music department

Workshop and concert presentation directed by Gerhard Stäbler, Kunsu Shim and the flutist Katrin Zenz.

 

March 11, 2007
Programme broadcasted by WDR 3 (Studio New Music)


Den Müllfahrern von San Francisco - Ein Akronym aus akustischen Erinnerungen an eine Reise for ensemble (1989-90)

Ensemble Modern, Dir. Peter Rundel

 

January 31 (8 pm) and February 1 (8 pm) 2007 Theater am Marientor Duisburg

TSUKI, SUBARU for sho and orchestra (2005/06) World Premiere

Mayumi Miyata, sho
Duisburger Philharmoniker (Dir. Johannes Kalitzke)

 

January 29, 2007
Akademie der Künste, Berlin

Gerhard Stäbler and Kunsu Shim: Hommage an Nam June Paik (2001)

Gerhard Stäbler and Kunsu Shim, performance

 

January 26, 2007 (7 pm)
Japanisches Kulturinstitut, Köln, Universitätsstraße 98: "Sumimasen" - A PerformanceConcert with Gerhard Stäbler and Kunsu Shim

Gerhard Stäbler: ...leaving the gold... for voice, piano and 5 CD-Player (2005) simultaneously with Kunsu Shim: softspeaker for microphone and speaker (2006)

Kunsu Shim: trace. elements (II) for 4-hand piano (2004)

Kunsu Shim: Nr. 11 and Nr. 41. Extracts from 54 things for piano (2005)

Gerhard Stäbler: Kollaps A performance based on texts by the dadaists Raoul Hausmann, Hirato Renkichi (2005)

Kunsu Shim: pièce japonais Performance with audience (2001) simultaneously with: sumimasen Performance for piano and audience (2007) World Premiere

Kunsu Shim: stillleben? for one performer (1998) simultaneously with: good-bye paradise Performance with plants (2001) simultaneously with: man lässt dinge fallen und beobachtet sie: eine herbstmusik A performance with different things (1994) simultaneously with 30 things for piano (2005) simultaneously with: for you A performance for tea bowls and audience (1998)

Gerhard Stäbler: Pièces chaudes for 4-hand piano (2005)

Gerhard Stäbler/Kunsu Shim: Hommage an Nam June Paik for two performer (2002)

Kunsu Shim: inserting music for tape (1993)

EarPort Ensemble with Aya Hara, Konzue Hara, Gerhard Stäbler and Kunsu Shim

 

January 25, 2007
Loft, Wißmannstraße 30, Köln

Double portrait Gerhard Stäbler/Kunsu Shim in the frame of "KGNM Werkstatt"

 

January 14, 2007 (10 pm)
Radio KBCS 91.3 FM, Seattle: "Floatation Device", Programme by Chris DeLaurenti

KARAS.KRÄHEN for sho, voice, double bass, percussion and tape (1994/95)

Mayumi Miyata (Sho), Johannes Nied (Double bass), Thomas Oesterdiekhoff (Percussion) and Gerhard Stäbler

 

zurück 2006

 

December 11, 2006
Theatre Duisburg
"Vom Dönerspieß zur Mozartkugel"

Kunsu Shim: positive spaces for big orchestra (1993)
Kunsu Shim: in zwei teilen (I) for big orchestra (2000)
John Cage: SCORE (40 DRAWINGS BY THOREAU) for orchestra (1974)
WA Mozart: Mozart´s Turk. Rock for brass quintet
Kunsu Shim: EIN STERN, EIN BONBON, GUTE NACHT! for string orchestra (2006) World Premiere
WA Mozart: Paraphrase for choir
Kunsu Shim: Vom Dönerspieß zur Mozartkugel. Performance with orchestra and audience (2006) World Premiere
Gerhard Stäbler: Spices (1PLUS) for orchestra and electronic sounds (2004/06) World Premiere
Kunsu Shim: in zwei teilen (II) for big orchestra (2000)

Concept/Direction: Gero Natzel, Johanna Schie, Kunsu Shim, Gerhard Stäbler
Orchestra of Niederrheinische Musik- und Kunstschule, Duisburg
Mini-Strings of Niederrheinische Musik- und Kunstschule, Duisburg
Chor Camerata-Vocalis, Duisburg

More information: Theatre Duisburg

 

December 8, 2006
Wilhelm Lehmbruck Museum Duisburg
schwerkraft[los], Music for sound sculptures from the collection of Lehmbruck Museum

Gerhard Stäbler, Kunsu Shim and the EarPort Ensemble are presenting works by Stäbler and Shim (Tinguely), Shim (HAPPY FOR NO REASON, Kounellis - memory windows) and a world premiere by the Corean composer Sueyoun Hong for piano and percussion.

 

December 7, 2006
Forum für Kunst und Architektur, Kopstadtplatz, Essen-City
MusicParadise "EyeMusic" - Music, Video and Performance

Works by Younggoo Chang, Gerhard Stäbler, David Tudor, Anton Lukoszevieze, Kunsu Shim and Katerina Tzedaki a.o.

Dirk Rothbrust and Arnold Marinissen, percussion
EarPort Ensemble

Supported by the bureau for cultural affairs Essen and in ccoperation with Forum for art and architecture Essen.

 

November 4, 2006
Jesuitenkirche Heidelberg

Ithaka for Koto-Solo (2003)

Makiko Goto, Koto

More Information: Biennale Neue Musik Heidelberg

 

November 3, 2006
Tufa-Centre for Culture, Trier
PerformanceConcert: "HAPPY FOR NO REASON - PERFORMANCECONCERT"

Works by Gerhard Stäbler, Kunsu Shim and Nam June Paik

Bernd Bleffert: Öffnung - Standbild 5 for audience, sound flags and sound object (2006)
Gerhard Stäbler: ...leaving the gold... for voice, piano and 5 CD player (2004)
Kunsu Shim: softspeaker for microphone and speaker (2002)
Bernd Bleffert: Nagelpendel. An installation for one performer (2006)
Bernd Bleffert: Samenfluss for 3 performer und 12 sound tubes (2006)
Nam June Paik: Zen for Walking (1962)
Kunsu Shim: beverages for N.J.P. for a performer with drinks (2001)
Bernd Bleffert: ...wie die Zeit vergeht! Sandpit games (2006)
Gerhard Stäbler: kollaps A performance based on texts by the dadaist Raoul Hausmann and Corean and Japanese futurists Isang and Hirato Renkichi (2005)
Kunsu Shim: stillleben? for one performer (1995), goodbye paradise, a performance with plants (2001), man lässt dinge fallen und beobachet sie: eine herbstmusik, a performance with different objects (1994), for you - a performance for tea bowls and audience (1998)
Bernd Bleffert: Radversammlung Solo for spokes (2006)
Gerhard Stäbler/Kunsu Shim: Hommage an Nam June Paik for two performers (2001)
Kunsu Shim: inserting music for tape (1993)

Bernd Bleffert, percussion
Gerhard Stäbler and Kunsu Shim, performance

 

October 27, 2006
Tonhalle Düsseldorf
Portrait Gerhard Stäbler

Gerhard Stäbler: INTERNETx4/SCRAP for four strings (2006) World Premiere
Robert Schumann: Nachtstück I op. 23 for piano
Gerhard Stäbler: Nachtstück I for piano, string quartet and tape (2006) World Premiere
Robert Schumann: Nachtstück II op. 23 for piano
Gerhard Stäbler: Nachtstück II for piano and string quartet (1996) World Premiere
Robert Schumann: Nachtstück III op. 23 for piano
Gerhard Stäbler: Nachtstück III for voice, piano and tape (2006) World Premiere
Robert Schumann: Nachtstück IV op. 23 for piano Gerhard Stäbler: Nachtstück IV for piano and string quartet (2006)
Gerhard Stäbler: white spaces for soprano and string quartet and a video installation by Kyungwoo Chun (2002)

Ellen Aagaard, voice
Bernhard Wambach, piano
Kairos Quartet

 

October 26, 2006
Haniel, Duisburg
Portrait Gerhard Stäbler

Franz Schubert: Allegro Assai, a movement of Quartet c-minor D 703
Gerhard Stäbler: white spaces for soprano and string quartet (2002)
Gerhard Stäbler: Nachtstück IV for piano and string quartet (2006) World Premiere
Robert Schumann: Piano Quintet op. 44

Ellen Aagaard, voice
Bernhard Wambach, piano and presentation
Kairos Quartet

 

September 29./30., 2006
Baekjunyon Ginyomkwan, Yonsei Universität, Seoul, Korea

Nachmittagssonne. Chamber opera for baritone, violin, viola, cello and tape based on four poems by Konstantinos Kavafis (1863-1933) World Premiere

Baritone: Martin Lindsay
Stage director: Soo Dong Jang
Conductor: Byung Wook Lee
Violin : Hyun Ah Kim
Viola : Joo I Kang
Cello: Sang Min Park

On September 26 Gerhard Stäbler will give an introduction to his first chamber opera with Martin Lindsay.

 

September 21, 2006
Museum Schloss Moyland, Am Schloss 4, 47551 Bedburg-Hau

Black Tiger Tango for accordion (2006)
World Premiere

Janne Rättyä, accordion

 

September 16, 2006
EarPort, Duisburg

PerformanceConcert

Works by Gerhard Stäbler, Kunsu Shim and Nam June Paik

Aya and Kozue Hara, piano
Gerhard Stäbler and Kunsu Shim, performance

 

September 15, 2006
Eko-Haus, Düsseldorf

"Lebenszeichen" - Double Portrait Gerhard Stäbler and Kunsu Shim

Gerhard Stäbler: ...leaving the gold... for voice, piano and 5 CD player (2004), simultaneous with Kunsu Shim´s softspeaker for microphone and speaker (2002)
Kunsu Shim: trace, elements (II) for 4 hand piano (2005)
Kunsu Shim: Nr. 11 and Nr. 41 from 54 things for piano solo (2005)
Gerhard Stäbler: kollaps, a performance with texts by the dadaists Raoul Hausmann, Isang and Hirato Renkitchi (2005)
Kunsu Shim: pièce japonais, a performance with audience (2000)
Kunsu Shim: earotics, a performance for childs and audience (2001)
Kunsu Shim: stillleben for one performer (1995) simultaneous with good bye paradise, a performance with plants (2001), man lässt die dinge fallen und beobachtet sie: eine herbstmusik, a performance with different things (1994), piece from 30 things for piano solo (2005) and for you, a performance with tea bowls and audience (1998)
Gerhard Stäbler: pièces chaudes for 4 hand piano (2005)
Gerhard Stäbler/Kunsu Shim: Hommage an Nam June Paik for two performers (2001)

Any time during the concert: Kunsu Shim: inserting music for tape (1993)

Aya and Kozue Hara, piano
Gerhard Stäbler and Kunsu Shim, performance

 

September 14, 2006
Fabrik Heeder, Krefeld
"GOOD BYE PARADISE" - Double Portrait Gerhard Stäbler and Kunsu Shim

Gerhard Stäbler: ...leaving the gold... for voice, piano and 5 CD player (2004) simultaneous with Kunsu Shim´s softspeaker for microphone and speaker (2002)
Gerhard Stäbler: dont´t move stones, from: pièces chaudes for 4 hand piano (2005)
Nam June Paik: Zen for Walking Performance (1962) simultaneous with Kunsu Shim´s beverages for a performer with drinks (2001)
Gerhard Stäbler: dont´t move stones, from: pièces chaudes for 4 hand piano (2005)
Gerhard Stäbler: kollaps, a performance with texts by the dadaists Raoul Hausmann, Isang and Hirato Renkitchi (2005)
Kunsu Shim: pièce japonais, a performance with audience (2000)
Kunsu Shim: earotics, a performance for childs and audience (2001)
Kunsu Shim: stillleben for one performer (1995) simultaneous with good bye paradise, a performance with plants (2001), man lässt dinge fallen und beobachtet sie: eine herbstmusik, a performance with different things (1994), piece from 30 things for piano solo (2005), for you, a performance with tea bowls and audience (1998) and a fragment of the performance Orte (2005)
Kunsu Shim: replace (III). Performance with different things (1997)
Gerhard Stäbler/Kunsu Shim: Hommage an Nam June Paik for two performers (2001)

Any time during the concert: Kunsu Shim: inserting music for tape (1993)

Aya and Kozue Hara, piano
Gerhard Stäbler and Kunsu Shim, performance

 

September 10, 2006
Wilhelm Lehmbruck Museum Duisburg
Opening of the exhibition "100 Jahre-100 Köpfe, Was ist Plastik?"

schwerkraft[los], Music for sound sculptures from the collection of Lehmbruck Museum

Gerhard Stäbler, Kunsu Shim and the EarPort Ensemble are presenting the works by Stäbler and Shim.

 

September 9, 2006
Wilhelm Lehmbruck Museum Duisburg

schwerkraft[los], Music for sound sculptures from the collection of Lehmbruck Museum.

Gerhard Stäbler, Kunsu Shim and the EarPort Ensemble are presenting the work at different places in the museum.

Kyusang Jeong, clarinet
Grzegorz Stopa, accordion
Arnold Marinissen, percussion
Kunsu Shim, performance
Gerhard Stäbler, performance

 

September 6, 2006
DeutschlandRadio Kultur

Klangwand, a documentation of a sociocultural project by Gerhard Stäbler in Trier. Program by Tatjana Wagner

 

September 2, 2006
Wilhelm Lehmbruck Museum, Duisburg 50 years WDR - WDR 3 Culture partnership party

futuressencexxx2006 - Music theatre

Theatre Spieltrieb, Duisburg
Music: Gerhard Stäbler, Kunsu Shim
Choreography: Anja Müller
Director: Michael Steindl

More performances: September 7, 8, 13 and September 17

More information: Theatre Duisburg

 

July 24-28, 2006
N[you] World New Music Festival Music in a linked world - Congress for children and younger people Workshop

Gerhard Stäbler and Kunsu Shim: futuressencexxx
A project organized by CLASH, a program for mediating contemporary music. A cooperation with the Institute for New Music and Music Education, Darmstadt
Musik der Jahrhunderte Stuttgart, Siemensstr. 13, 70469 Stuttgart
Tel: +49 711-6290510 / Fax: +49 711-6290516 nyou@mdjstuttgart.de
World New Music Festival

 

July 24, 2006
Music by Gerhard Stäbler - a portrait by Marita Emigholz (Nordwestradio/Radio Bremen)

The program contains the following pieces:
Im Spalier... Musical thoughts about Fantasias by John Bull and Don Carlo Gesualdo for brass quintet (1990): Philharmonic Brass, Düsseldorf
Wolken. Bilder for orchestrion (1997)
Warnung mit Liebeslied for harp, accordion and glass percussion (1986): Karin Schmeer (harp), Teodore Anzellotti (accordion), Rainer Römer (percussion)
Nachbeben und davor: for accordion and cello (1988/89): Teodore Anzellotti (accordion), Michael Bach (cello)
Den Müllfahrern von San Francisco for ensemble (1989/90): Ensemble Modern
Karas.Krähen Electronic Sounds with voice, sho, double bass and percussion (1994/95): Gerhard Stäbler (voice), Mayumi Miyata (sho), Johannes Nied (double bass), Thomas Oesterdiekhoff (percussion)
Ungaretti-Lieder for mezzo soprano and percussion (1990): Christine Whittlesy (mezzo soprano), Rainer Römer (percussion)
More informations: Radio Bremen / Nordwestradio

 

Juli 24, 2006
Radio program WDR 3: Musikpassagen

Nachtstück I for flute, clarinet, percussion, piano, violin, viola, violoncello and tape (ad. lib.) (2005)

Ensemble Recherche, Freiburg

 

July 11, 2006
Radio program: Saarländischer Rundfunk SR 2 Kulturradio: "Mouvement - Music of 21.st century"

Spices (4) for accordion, tape and smells (2001) Spices (1) for dance, ensemble, tape and smells (2001)

Janne Rättyä, accordion
Ayla Caymaz, flute
Stefan Zimmer, clarinet
Götz Hartmann, violin
Gabor Szarvas, cello
Martin Frink, percussion
Paulo Alvares, piano

 

July 4, 2006
Radio program: Saarländischer Rundfunk SR 2 Kulturradio "Mouvement - Music of 21.st century"

hyacinth-liquid.scents for percussion (1997)
Die Nacht sitzt am Tisch for B-flat clarinet and bass clarinet with balls of glass, buckets and voice, smells, and synthesizer or cassette recorder (1992)

Katharina Bihler, voice
Carol Robinson, clarinet
Oliver Voize, bass clarinet
Dirk Rothbrust, percussion

 

July 3, 2006
Radio program: Saarländischer Rundfunk SR 2 Kulturradio "Mouvement - Music of 21.st century"

... und in diesem Blau ist eine Ahnung von Grün ... for soprano, soprano saxophone, trombone and big orchestra (2006)
Comissioned by Saarländischer Rundfunk
(First transmission worldwide)

Salome Kammer, soprano
Marcus Weiss, saxophone
Mike Svoboda, trombone
Rundfunk-Sinfonieorchester Saarbrücken (dir. Peter Rundel)

 

June 2006
CD Release with bittersüß

The Australian Label Red House Editions released a CD with Stäbler´s bittersüß for flute and guitar (1994) and works by Klarenz Barlow, Lesleigh Thompson, Volker Heyn and David Young. Red House Editions has published a score-collection with all the works before.

 

June 27, 2006
Radio program: Saarländischer Rundfunk SR 2 Kulturradio "Mouvement - Music of 21.st century"

Nachtstück I for ensemble (2006)
Comissioned by Saarländischer Rundfunk (First transmission worldwide)

Ensemble Recherche

 

June 20, 2006
Radio program: Saarländischer Rundfunk SR 2 Kulturradio "Mouvement - Music of 21.st century"

Cassandra for tape (1996)

 

June 17, 2006
Ludwigsforum, Garden of Memories in the Inner Harbour of Duisburg
"Night of industrial culture" organized by Innenhafen Entwicklungsgesellschaft Duisburg

Gerhard Stäbler: Wasser·Zeichen Performance with dancers, music and light (World Premiere)

Allessandra Corti, dance
Annette Robbert, soprano
Petra Keßler, flute
Kyusang Jeong, clarinet
Markus Schwind, trumpet
Klaus Burger, tubas
Janne Rättyä, accordion
Thomas Meixner, percussion

More Informations: Nacht der Industriekultur

 

June 13, 2006
Radio program: Saarländischer Rundfunk SR 2 Kulturradio "Mouvement - Music of 21.st century"

Internet 1.5 for piano (1996)

Young-Jin Kim, piano

 

June 10, 2006
St-Ambroise Montréal Fringe, Mile End Cultural Centre 5390 Boul. St-Laurent
Les Moineaux d´Entendre: "décagé"

A fusion between performance and sound art, Les Moineaux d´Entendre bring together influences from 60´s avantgarde and modern underground electro pop. Décagé is made up of works by: Gerhard Stäbler, Kunsu Shim, Yoko Ono, Pauline Oliveros amongst others.

Additional performances: June 10, June 13, June 15, June 16, June 18

More informations: Montréal Fringe Festival

 

June 2, 2006
"MusicParadise - Concert"
Marktkirche, Essen-City

Internet 1.2 for accordion (1996)

Eva Zöllner, accordion

 

June 1, 2006
Alte Feuerwache, Cologne

FallZeit for percussion (1997)
Winter, Blumen for recorder(s) (1995)

Lucia Menze, recorders
Dirk Rothbrust, percussion

 

May 27, 2006
"Week of Contemporary Music"
National Music Conservatory, Bucharest

Belfast Breakfast Songs for voice (1996/97)

Christina Ascher, voice

 

May 20, 2006
Ziegelei, Rommerskirchen
Reitanlage am Ziegelhof 2
41569 Rommerskirchen-Anstel

Dance theater Brüche by Ulla Geiges
with music by Gerhard Stäbler
(Informations and booking:
+49 2183-6296, +49 2183-450492
and +49 2183-339)

 

May 19, 2006
2. Spring Festival in Freiburg: Night of 1001 premieres, Wilhelmstraße 17 a, 79098 Freiburg

Nachtstück II for oboe, clarinet, bassoon, double bass and chime (2005) Premiere

Ensemble Aventure Freiburg

 

May 18-21, 2006
Mouvement - Music of 21st century
Festival of Saarländischer Rundfunk
"TRÄUME.WELTEN"

Gerhard Stäbler - Composer in Residence
Numerous compositions by Stäbler and world-premieres with Salome Kammer, Mike Svoboda, Marcus Weiss, Sinfonieorchester of Saarländischer Rundfunk (dir. Peter Rundel) and Ensemble Recherche.

 

May 9, 2006
Saarländischer Rundfunk: A portrait about Gerhard Stäbler by Wolfgang Korb. Talks with Stäbler and works by the composer

Traum 1/9/92 for soprano saxophone, cello, piano and ensemble (1992)
Ruck- VERSCHi(e)oBEN Zuck- for orchestra (1986/88)
Hart auf Hart (Red on Black) for ensemble (1986)
CO-wie Kobalt for double bass solo and orchestra (1989/90)
SpringLight SoundPoetry-Fantasia (1998)
beats for percussion and string quartet (1998)

 

May 7, 2006
['∫ ] - Opening of Schumannfest
Düsseldorf, Hofgarten

Kunsu Shim/Gerhard Stäbler: soft art (2006)
Performance
Gerhard Stäbler: Pièce chaude I– Don't move stones (2005) for 4 hand piano
Nam June Paik: Zen for Walking (1962)
...simultaneous with...
Kunsu Shim: beverages for n.j.p. (2002)
Two performances
Gerhard Stäbler: Pièce chaude II – Don't move stones (2005) for four hand piano
Kunsu Shim/Gerhard Stäbler: Hommage (2002)
Performance with inserting music (1993)
for tape by Kunsu Shim

April 29 and April 30, 2006
"Duisburger Akzente 2006"
Ludwigsforum, Garten der Erinnerungen, Duisburg Innenhafen

VIER - "...remember..." - DanceMusicVideoProject (Part 1 of the trilogy "LIFE") with the choreographers Avi Kaiser and Sergio Antonino, the composers Gerhard Stäbler and Kunsu Shim and the interpreters Laura Catrani (soprano), Dirk Rothbrust (percussion), Janne Rättyä (accordion), Alessandra Corti and Valentina Moar (dance).

you will remember
for we in our youth
did these things

yes many and beautiful things

we live
the opposite
daring

in a light voice

(Sappho, antique poet from Greece)

 

April 22, 2006
Weimarer Frühjahrstagung für Neue Musik, Weimar

World premiere of Roots, a work by Stäbler and Pèter Köszeghy for flute, violin, cello, piano and electronics

 

April 7 and April 9, 2006
Orangerie Volksgartenstr. Cologne

Wenn der Fluss zum Meer wird (2005)
Dance-project of Sabine Seume´s dance theatre with music by Gerhard Stäbler

 

January 28, 2006
Wilhelm Lehmbruck Museum Duisburg 

Granting of the Wilhelm Lehmbruck award to Reiner Ruthenbeck

pièces chaudes for 4-hand piano (2005)
soft art Performance by Stäbler and Kunsu Shim, World-premiere
Aya and Kazue Hara, piano
Gerhard Stäbler and Kunsu Shim, Performance 

 

January 19, 20, 21, 2006
Tanzhaus NRW, Düsseldorf

wenn der Fluss zum Meer wird (2005)
Dance-project of the Sabine Seume dance theatre with music composed by Gerhard Stäbler

 

zurück 2005

 


November 25th, 2005
Fabrik Heeder, Krefeld
wenn der Fluss zum Meer wird (2005)
DanceProject
Sabine Seume, choreography
Gerhard Stäbler, music
World premiere

 

November 20th, 2005 Tanzhaus NRW, Düsseldorf
BRÜCHE (2005)
JET - DanceProject
Ulla Geiges, choreography
Gerhard Stäbler, music
World premiere

 

November 18th, 2005
Musikhochschule, Hannover
]dazzling dawn[ (2005)
for soprano and ensemble
Ellen Aagaard, soprano
Thomas Rimul, conductor
Ensemble Ernst, Norway
World premiere

 

November 12th, 2005
EarPort, Duisburg-Innenhafen
PerformanceConcert
Belfast Breakfast Songs (1986)
Christina Ascher, voice

 

November 11th, 2005
Marktkirche Essen
MusicParadise
PerformanceConcert
Belfast Breakfast Songs (1986)
Christina Ascher, mezzo soprano
– various performance works
EarPort Ensemble, Duisburg

 

November 8th - 11th, 2005
Kunsu Shim·Gerhard Stäbler
Workshop, project "Tonleiter",
organized by the cultural office of the city of Essen
Käthe Kollwitz Schule, Essen

 

November 5th, 2005
EarPort, Duisburg-Innenhafen
Concert
pièces chaudes (2005)
for piano with four hands, dedicated to Aya and Kozue Hara
Aya and Kazue Hara, piano

 

November 4th, 2005
Zentralbibliothek (central library, music department), Essen
"LEBENSZEICHEN"
Two Portraits
Kunsu Shim and Gerhard Staebler

Kunsu Shim
Nr. 41 from 54 things (2005)
for piano solo
world premiere
trace, elements (II) (2005)
for piano with 4 hands, dedicated to Aya and Kozue Hara
world premiere
soft moving noise (2005)
a performance with daily life objects
Nr. 11 from 54 things (2005)
for piano solo
world premiere
zwischen sitzen (2005)
a performance with audience
world premiere

Gerhard Stäbler
pièces chaudes
for piano with four hands, dedicated to Aya and Kozue Hara (2005)
world premiere
kollaps (2005)
a performance with texts by the Dada poets Raoul Hausmann (Austria), Isang (Korea), and Hirato Renkichi (Japan)
world premiere
...leaving the gold... (2004)
for voice, piano and 5 CD-players
simultaneaously with
softspeaker for microphone and loudspeaker
by Kunsu Shim (2002)

 

October 28th, 2005
TEI Rethymnon, Crete
elements (acute) for tape (1999)

 

October 27th, 2005
Cultural House Tromsø – New Music Organisation Tromsø
White Spaces
Ellen Aagaard, soprano
Tromsø Symphony Orchestra stringquartet
Norwegean premiere
www.tromso.kulturhus.no

 

October 22nd, 2005
Friedenskirche Köln-Mülheim
Hart auf Hart - Graphic score for ensemble (1986)
Ligias Handtaschenorchester

 

October 7th, 2005
TESLA, Klosterstraße 71, Berlin
footprints I (1999)
Performance in the frame of a project called "poems for feet" by the Maulwerker Berlin.

September 16th, 2005
Schreyahner Herbst 2005
20 years Schreyahner Herbst
"Gedächtnismaschinen"
concert
INTERNET x3/SCRAP (2001)
for bass flute, cello, and piano
world premiere
Cologne Connection
Carin Levine, bass flute
Michael Moser, cello
Kristi Becker, piano

 

Soundwall – a social performance, in Trier
(September 2005)

The collective project, Soundwall – a social performance, under the artistic direction of and with compositions by Gerhard Stäbler, will take place on September 2/3. A high-rise building in Mariahof, a district of Trier, will be artistically enlivened and musicalized. Contributors will include professional, new-music and jazz musicians, a popular Trier "mouthart" band (Leiendecker Bloas, under the direction of Helmut Leiendecker), members of several choirs, the Music Association Tawern, as well as building occupants, who through the use of their radios will add spice to the musical event.

The initial project impetus was based on bringing artistic enhancement to urban back-courtyards, which sometimes exist in rather sad, damp and dark conditions. Beginning with the observation that the sounds and noise of the inhabitants – those of running radios, television or banging kitchen utensils, for example – produce a pleasant soundscape, Stäbler will stage an approximately one-hour long artistic event. Through the cooperation with inhabitants the project can also help to span the traditional chasm between "entertainment" and "serious" culture. 

Soundwall – a social performance, belongs to the cultural project series "SCHW!NG" of the fabric company Trier. A sociological study conducted by the University of Trier, will accompany the project. The project development as well as the evening performances will be documented in a radio feature production, broadcast by SWR 2. 

When: September 2/3
Where: on the grass in the back courtyard of the high-rise building on Mariahof 69/71; entrance price: €5 (reg.), €3 (discounted)

 

"auf dem wasser, ein gesicht"
(July 2005)

Kunsu Shim and Gerhard Stäbler - composers from Korea and Germany ­ have long lived and worked together, mutually conceiving, planning and presenting performance events. auf dem wasser, ein gesicht (on the water, a face), a piece for koto, is their first joint composition. Due to the characteristics of the instrument itself ­ 13 identical strings, freely-movable bridges ­ sounds in this piece emerge onto unstable ground. Initially the strings are divided more or less in the middle. During the performance the bridges wander primarily to the left or the right edge, or to both edges. Thus, the ground under the sounds not only wavers, but continuously changes ­ like a reflection in water…. Nothing remains constant, not even the playing position ­ which moves from the middle to the left or right, or demands both arms be spread to opposite edges of the koto and simultaneously play there.

 

Meet the Composer Gerhard Stäbler
(May 5-12, 2005)

This was the motto of a one-week workshop in May 5-12, 2005 involving instrumentalists and culminating with a row of concerts at the University of Music and Performing Arts in Graz, Austria. Composer Gerhard Stäbler was invited by the young, Finnish Professor for Accordion Studies, Janne Rättyä. Under the title, "Works for the Accordion plus…", Gerhard Stäbler himself directed students in the rehearsal and performance of numerous solo and chamber music pieces of his, as well as his ensemble work, Den Müllfahrern von San Francisco (For the Garbage Collectors of San Francisco) for ensemble. These were then presented in three public concerts. Enthusiastic discussions were stimulated by not only the extremely expressive composition, Den Müllfahrern von San Francisco, but, above all else, by Gerhard Stäbler’s own solo performances. Following the Stäbler Portrait, and upon the invitation of Professor Christian Utz, a three-hour seminar was held in the university music sciences department. Its focus was the aesthetic and philosophical foundations of Gerhard Stäbler’s compositional work.

May 7 2005

Palais Meran, Florentinersaal Universität für Musik und Darstellende Kunst, Graz (Austria):
Portrait concert "Meet the Composer Gerhard Stäbler" (1. Part)

blütenlos - Monody for soprano, flute, violin, cello and accordion
estratto for bassoon solo
dry leaves for accordion
Zeitsprünge for accordion and percussion
Rachengold - secret score for a performer with a glass of water
Hart auf hart. Graphic score for ensemble

Students of Universität für Musik und Darstellende Kunst

May 9 2005

Minoritensaal, Mariahilfer Platz 3, Graz (Austria)

Den Müllfahrern von San Francisco for Ensemble in the version for 7 instruments by Michael Oesterle

Ensemble für Neue Musik der Universität für Musik und Darstellende Kunst, Graz Conductor: Edo Micic

May 10 2005 Palais Meran, Florentinersaal

Universität für Musik und Darstellende Kunst, Graz (Austria):
Portraitkonzert "Meet the Composer Gerhard Stäbler" (2. Part)

...im Spalier... for brass quintet
Warnung mit Liebeslied for harp, accordion and glass-percussion
Rosenkranz - Secret score for one performer with a glass of water
Hart auf hart. Graphic score for ensemble
Zeitsprünge for accordion and percussion
Den Müllfahrern von San Francisco for ensemble in a version by 7 instruments by Michael Oesterle

Students of the Universität für Musik und Darstellende Kunst, Graz Ensemble für Neue Musik of the Universität für Musik und Darstellende Kunst, Graz Conductor: Edo Micic

 

Gerhard Stäbler and Kunsu Shim in California
(April 22 ­ May 1, 2005)

Gerhard Stäbler and Kunsu Shim traveled to California for a two-week workshop at the Sonoma Academy and four concerts in San Francisco, Santa Rosa, and Santa Cruz. The two composers were invited by the Pacific Rim Music Festival and the Rabble Fish Theater to visit the western states of the US from mid-April to early May along with two members of the EarPort Ensemble: percussionist Dirk Rothbrust and accordion player Janne Rättyä. The main focus of the concerts and workshops fell on the two composers, who have been working together for more than 15 years. Although their music is based on a wide range of cultures, they create their performances jointly and have increasingly co-written joint compositions over the last five years. The performance program was augmented with references to fluxus artists such as Nam June Paik and George Brecht.
Stäbler and Shim constantly attempt to goad their audiences' imagination and to sensitize their ears and other senses to new and unexpected perceptions and ideas. Accordingly, the highly regarded concerts centered on various simultaneous performances, e.g. Stäbler's hyacinths-liquids.scents for tuned bottles, liquids, and aromas, in combination with Shim's good-bye paradise for plants, Stilleben? for one performer and wie ein Gesicht, wie eine Straße ... ein Geräusch for accordion. Another item was Hommage à Nam June Paik, a medley of performances by both composers. Audiences everywhere responded with enthusiasm, especially at the Pacific Rim Music Festival, given that the performances offered a fresh and up-to-date counterpoint to the otherwise slightly academic chamber music emanating from the Pacific Coast states over the last few years.
The concerts were supported by the German General Consulate and the Goethe Institute in San Francisco, the San Francisco Art Institute, the Rabble Fish Theater (Sonoma County) and Michael Friedenberg (Santa Rosa).

April 22, 2005

San Francisco Art Institute:
"Fluxus&Co" ­ PerformanceConcert

EarPort Ensemble:
Janne RättyÄ ­ accordion
Kathie Schmid, Kunsu Shim, Gerhard Stäbler ­ performance

Supported by: San Francisco Art Institute, Deutsches Generalkonsulat San Francisco, Michael Friedenberg, Santa Rosa

April 27, 2005

Center for the Arts in Santa Rosa (Sonoma County)
"Crossing Point" - A Performance of New Music and Theater
RabbleFishTheater (Sonoma County)

EarPort Ensemble:
Kathie Schmid - performance
Janne Rättyä - accordion
Dirk Rothbrust - percussion
Kunsu Shim, Gerhard Stäbler - performance
Sonoma Academy Student Performers (Santa Rosa)
Jesse Simpson, Nemo A. Swift - percussion

Supported by:
Deutsches Generalkonsulat San Francisco
Michael Friedenberg, Santa Rosa

April 30, 2005

Pacific Rim Music Festival

EarPort Ensemble
Janne Rättyä - accordion
Dirk Rothbrust - percussion
Ulrike Leidel, Kathie Schmid, Kunsu Shim Gerhard Stäbler - performance

Supported by:
Pacific Rim Music Festival
Goethe Institute San Francisco
Michael Friedenberg, Santa Rosa

May 1, 2005

Pacific Rim Music Festival:
"Music for Strings" Nam June Paik: Various Works (1962), arranged by Kunsu Shim and Gerhard Stäbler

EarPort Ensemble:
Kunsu Shim, Gerhard Stäbler - performance

Supported by:
Pacific Rim Music Festival
Goethe Institute San Francisco
Michael Friedenberg, Santa Rosa

 

New scores published
(March 2005)

In 2004 and 2005 Stäbler composed many new works. All pieces mentioned are published in the EarPort-edition.

AMTRACKS, an audio-assemblage for 7 vocalists (2004)
]ROSES[ for soprano and percussion quartet (2004)
]DESIRES[ for soprano and percussion quartet (2004)
]with what eyes?[ Sappho-Fragments for violin, french horn and organ (or piano) (2004)
...leaving the gold... for voice, piano, and 5 cd player (2004)
blütenlos Monody for soprano, flute, violin, cello and piano (or accordion) (2004)
]LIFE[ for sho, hichiriki and glass chimes (2004)
SPICES (1ULTRA) for choir, accordion, piano, percussion, string orchestra, electronic sounds, smells and theatrical actions (2004)
...unter Glas vergessen... for sho and violin (2004-2005)
Spectre for sho solo (2004/2005)
purple rugs for sho, clarinet, violin, viola, cello, and marimba (2005)

 

Special Adviser for Cultural Exchange 2005: sho player Mayumi Miyata is presently touring Europe with new pieces by composers Gerhard Stäbler and Kunsu Shim on behalf of The Japan Foundation
(February 26 / 27, 2005)

Mayumi Miyata has been nominated "Special Adviser for Cultural Exchange 2005" by The Japan Foundation. Thus she is presently in Europe for concerts, new pieces by composers Gerhard Stäbler and Kunsu Shim with her. The world famous virtuoso is presenting traditional and modern music for sho, a typical Japanese instrument. Concerts take place in Greece, Italy, France, Germany, and Luxembourg. Sho is a mouth organ, a wind instrument made of several bamboo pipes. It has been frequently used in East and South East Asia for more than 3000 years. In Japan sho has been being played as part of orchestral music at court (Gagaku) until today. It’s delicate and celestial and at the same time cluster sounds are basic elements of this ceremonial music. Mayumi Miyata is among the first who enhanced the potentials and the use of sho. An extremely skilled player, she developed a modern type of sho and made it well-known worldwide at the highest stage. Inspired by instrument and musician, Gerhard Stäbler and Kunsu Shim each composed a new piece. On her concert tour throughout Europe, Mayumi Miyata is giving debut performances of these compositions in several countries: Shim’s not I but the wind and Stäbler’s ...unter Glas vergessen... are both written for sho and violin and being played by Mayumi Miyata and Japanese violonist Tomoko Kiba. At the opening of the exhibition "Jaume Plensa" in the "Wilhelm Lehmbruck Museum" in Duisburg, Mayumi Miyata is also performing Gerhard Stäbler’s new sho composition Spectre specifically designed for this occasion. Apart from that, she is playing a significant role in Kunsu Shim’s performance Orte for sho, action, and electronic sounds. Apart from traditional music for sho and works by John Cage, Toshio Hosokawa and others, Mayumi Miyata is presenting some more pieces by Gerhard Stäbler when touring Europe, f.e. Palast des Schweigens for sho solo and KARAS.KRHEN which is a music for tape accompanied by sho, double bass, and a vocalist. Palast des Schweigens is released on cd by Wergo (2056-2 [edition zkm 6]) and Koch-Schwann (3-6760-2). A height of the Miyata tour, undoubtedly, is the world premiere of the most recent Stäbler piece for ensemble: Purple Rugs, a piece for sho solo, clarinet, violin, viola, cello, and marimba. The Luxembourg ensemble United Instruments of Lucilin are playing the piece for the first time on Feb 25th in Bourglinster in Luxembourg and on Feb 26th in the Cultural Centre Neumünster/Luxembourg-Grund.

 

zurück 2004

 

New publications
(December, 2004)

Over the course of 2004 several new publications by Stäbler appeared in the realm of print and discography, featuring his works and texts. His piece Wirbelsäulenflöte for piano, bass-Clarinet, voices, conducting performer and 3 objects by the sculptor Thomas Rother (percussion) from 1984 appeared in the German Music Council series "Music in Germany 1950 - 2000" in the context of "Experimental Music Theater: Instrumental Theater". In this piece Stäbler set the poem of the same title by Wladimir Majakowski to music. (BMG/RCA 74321 73650 2).
kalt·erhitzt - a paraphrase on the musical action for 113 grand pianos with the same title, for tape (2000/2003) can also be found in the comprehensive series "Music in Germany 1950 - 2000" under "Experimental Music Theater: Fluxus, Happening- Performance": an installation by the artist Norbert Bauer consisting of 113 grand pianos at the "Tuchfühlung 2" festival in Langenberg in the Rhineland in 2000 was the basis for a performance utilizing hands on keys, hammers, clubs and feet on the strings and body, accompanied by choirs, ensembles and the vocal artist Sigune von Osten. (BMG/RCA 74321 73652 2).
A 90 - page book also appeared, documenting contributions by musicologists, composers and members of the popular culture scene during a conference on the theme of "Music and Politics" which was organized by the Berlin society for New Music. Under the title ...weiße Räume erkunden... Stäbler presents cases where broadcasts of his political works were either victimized by censorship - as was the case with the WDR broadcast of drüber... or were almost deleted from the concert program. Examples of political content are also demonstrated based on the compositions ...strike the ear... for string quartet (1987/88), Gift.Gelb for electrified accordion, E-Bass and Tape (2002) and Journal 9´1119 for flutes, percussion, tape and scents (1996). (Christa Brüstle, Matthias Rebstock, Holger Schulze (ed.): Musik / Politik, Saarbrücken (Pfau-Verlag) 2004 (=Musik im Dialog V)

 

World Premiere in Tokyo
(December 26, 2004)

The Tokyo City Recital Hall will host the world premiere of Gerhard Stäbler's new work ]life[ Sappho-fragments for hichiriki and sho on December 26. Hitomi Nakamura (Hichiriki) and Mayumi Miyata (Sho) will present the composition in the context of a Hichiriki Recital Series. In addition, the composition solitude.consolation for hichiriki and sho by German-Korean composer Kunsu Shim will celebrate its premiere alongside further world premieres by Japanese composers. Furthermore Ms. Nakamura covers the gamut from modern music to traditional Japanese court music in her recital by including two Gagaku-pieces, one for Hichiriki solo and another for Hichiriki, Sho, and Ryuteki in her program.
The Hichiriki is a bamboo flute with a piercing, nasal sound, roughly 18 cm in length and a diameter of 1.5 cm. It has a one-octave range and is the most prevalent instrument in Gagaku music aside the mouth organ sho. The hichiriki with its razor-sharp tone often takes on the top voice on this music.

Further information in Japanese writing can be found at: www.tvumd.com/concerts/file/041226.htm

December 26, 2004, Tokyo City Recital Hall: Hichiriki-Recital. Series Reed Wind No. 3

 

Performances for aficionados in Utrecht
(December 11, 2004)

MundStücke (MouthPieces) and FootPrints, which originated from the "Performances for Aficionados" concert series founded in 1999, will receive their premiere Netherlands performance. In these pieces, Stäbler explores ­ much like in two other pieces from this series, HandStreiche, EarPlugs, NasenTraum (HandStrokes, EarPlugs, NoseDreams) and AugenTanz (EyeDance) ­ musical and scenic possibilities of human extremities and sensory organs. In Footprints I & II the step combinations are written out, including the stomping and tapping noises to be produced. The MundStücke by contrast emerge from whispering sounds or asemantic syllables presented voiceless. Through the imaginative usage of different bocal positions Stäbler integrates scenic elements in the sense of Kagel's Instrumental Theater. Both pieces will be performed at the Nederlandse Muziekdagen under the Title "Throw Catch" by soprano Barbara Hannigan and percussionist Arnold Marinissen at the Muziekcentrum Vredenburg in Utrecht.

December 11th 2004: Muziekcentrum Vredenburg, Utrecht

 

“von hier aus. Basel - Raum Klang Tanz"
(November 30, 2004)

Dancer and choreographer Eva Weissmann presented "von hier aus. Basel - Raum Klang Tanz," her new project, in Basle. Weissmann, together with four dancers, the saxophonist Felix Probst and double bassist Laurent Charles developed "Visions of Space, Motion and Silence" to Stäbler's composition elements (acute) created in 1999/2000 at the ZKM (Zentrum für Kunst und Medientechnologie). Four musical layers ­ breathing, blazing, flowing and grounded ­ served as basis for live-performances and were specifically defined and accentuated for the Basle performance spaces with the participation of Gerhard Stäbler. The performance took place on Tuesday, November 30 in the Tresorraum of the Gerbergasse 30 as part of the series "Forum für improvisierte Musik & Tanz, Basel."

For further information: www.fimbasel.ch und www.wearewe.de.

 

ARTIC - an art magazine with an essay, a new composition and a CD with hitherto unpublished works by Gerhard Stäbler
(November, 2004)

ARTIC - Texte aus der fröhlichen Wissenschaft, a very affectionately crafted art magazine from Frankfurt/Main, is publishing in its upcoming edition with the theme "voice" the essay KOM-VokalEssenz by Gerhard Stäbler, a CD accompanying the essay with works by the composer and the new composition AMTRACKS, an audioassemblage for seven vocalists that Gerhard Stäbler wrote for ARTIC. With Winter, Blumen and the Belfast Breakfast Songs interpreted by Christina Ascher this CD presents previously unpublished recordings. Gerhard Stäbler himself presents new versions of Rachengold ­ a solo-performance consisting mainly of gargling noises ­ and also for the first time the "secret score" Rosenkranz (1995). Together with the composition Wirbelsäulenflöte for piano, bass-clarinet, voices, a conducting performer and three objects by the Essen-based sculptor Thomas Rother (1984) and the well-known early work drüber... for eight active screamers, violoncello and tape (1972/73) the contributions on the CD allow a "glimpse" into Stäblers treatment of voice in the last thirty-odd years. The eighth ARTIC volume so far is anticipated to be available over the course of October.

For more information: www.artic-magazin.de

 

Two world premieres in Saarbrücken and Düsseldorf
(November 12 ­ 14, 2004)

The world premiere of two chamber music pieces was held in Saarbrücken and Düsseldorf from November 12 through 14. The composition ]with what eyes[ for violin, french horn and organ was performed for the first time during the Saarbrücker Kammermusiktage. This work was inspired by Sappho's Fragments that were published in the Greek-English poetry anthology IF NOT, WINTER with translations by the American poet Anne Carson. Between single sounds syllables and words, lines and verses are transmitted over time that document a deep knowledge of human cohabitation's thorny path despite their thousands of years of erosion. Stäblers new composition was contrasted by Brahms' Horntrio as well as horn and violin sonatas by Beethoven. The concert was performed by Yamei Yu (Violin), XiaoMing Han (Horn) und Andreas Rothkopf (Organ). A concert commemorating the Japanese composer Seiichi Inagaki who passed away at the end of last year, was held at the Düsseldorf EKO Haus, featuring the world premiere of the monody blütenlos (blossomless) for soprano, flute, violin, cello and piano (or accordion). The composition, written in Duisburg in September 2004 and commissioned by the EKO - House of Japanese Culture (Düsseldorf) is based on the poem by the same title from the book Gesänge der Frühe (Songs of Earliness) by Hermann-Josef Röllicke. The evenings artists were Ingrid Schmithüsen (soprano), Carin Levine (flute), Geoffry Wharton (violin), Wolfgang Sellner (cello) und Kristi Becker (piano).

 

Installations and Performances at "Stadtlicht - Lichtkunst" in Duisburg
(October 16 ­ November 15, 2004)

The composers Kunsu Shim and Gerhard Stäbler will participate several times in the "StadtLicht - LichtKunst" festival held in and around the Wilhelm Lehmbruck Museum in Duisburg starting on October 16, 2004. On the opening day of this diverse project which shall "contribute to the qualification of Light design in our cities" (curator Christoph Brockhaus, director of the Wilhelm Lehmbruck Museum foundation), Paulo Alvares (piano), Christina Ascher (voice), Kunsu Shim and Gerhard Stäbler (sound engineering) will present Gerhard Stäblers new composition ...leaving the gold... for voice, piano and five CD-players (2004) simultaneously with Kunsu Shims inserting music II for tape. Stäblers exploration of maximum - speed - pitch repetition stands at the center of this work !? a musical essay on the limits of what is possible for piano and electronic sounds (2001) will set the frame for this world premiere, together with a piano etude by György Ligeti interpreted by Paulo Alvares.
In the Wilhelm Lehmbruck Museum's Kant park one can simultaneously experience works by Kunsu Shim and Gerhard StÄbler as well: the vernissage of the Sound - Light - Installation "Kantpark Stage" that was developed in cooperation of both composers with the light artist Mischa Kuball and curated by Christoph Brockhaus with the aid of Katja Aßmann. With the world premiere of Intervention I for voice and electronic sounds (2004) Christina Ascher will ring in the beginning of the sound installation "Kantpark Stage" which can be heard and seen henceforth daily from noon to midnight until November 15. Kunsu Shim, who developed the basic concept behind the sound installation together with Gerhard Stäbler writes:

"Different sounds - often low, rich in overtones, pleasurable- appear and disappear from a great silence within the 12 - hour time stream and transform the Kant Stage into a space of repose, illuminate it - like light itself - audibly and invites one to connect with this location for a while and to disseminate into the vastness of inner space. Interventions again and again open windows into real spaces to remember, to reflect, to dream only to return to silence."

Overview of events:

Saturday, October 16:
Wilhelm Lehmbruck Museum Duisburg - Lehmbruck-Trakt: opening ceremony of the "StadtLicht - LichtKunst" project.
World premieres by Kunsu Shim and Gerhard Stäbler and a piano piece by Ligeti.
Afterwards: Vernissage of "Kantpark Stage" by Mischa Kuball, Kunsu Shim and Gerhard Stäbler with the world premiere of Intervention I by Gerhard Stäbler.

Saturday, October 16 until Monday November 15:
"Kantpark Stage", Lightinstallation by Mischa Kuball with the sound installation "Lichtrand" by Kunsu Shim and Gerhard Stäbler in cooperation with the Audio-Designer Cornelius Pöpel, Kant Park, Duisburg-city at the Lehmbruck Museum

For more information:
www.lehmbruck-museum.de
www.lehmbruck.cynapsis.com/images/content/landschaftspark-nord-72-downl.jpg

 

(World Premiere) Performances in Neuss
(September 9-12, 2004)

Two works by Gerhard Stäbler are being performed thrice in the recently erected exhibition hall of the Langen Foundation: Palast des Schweigens (Palace of Silence) which has been available on CD since 19999 (composed in 1992/93, Wergo 282056-2) will be made audible by Tomoko Kiba on a wind instrument consisting of 17 bamboo pipes, as well as a world premiere of a work by Stäbler presented by the Schlagquartett Köln, consisting of percussionists Dirk Rothbrust, Thomas Meixner, Achim Seyler and Boris Müller featuring soprano Eiko Morikawa. The (premiere) performances are not the only events to be anticipated with tension. The different performance spaces that change from composition to composition and were conceptualized by the renowned architect Tadao Ando as components of the new exhibition hall will certainly offer a special visual and acoustic attraction.

September 9th. September 11th/12th at noon: Langen Foundation, Raketenstation Hombroich (Neuss)

 

World-premiere of ...day by day... in Munich
(June 12, 2004)

Gerhard Staebler received the commission to compose a work for large orchestra, vocalists and drums. He titled his work day, day, day. The large-scaled work will be premiered in the frame of Musica Viva concerts in Munich on June 12. Other works being played were composed by Wolfgang Rihm (Sub-Kontur for large orchestra) and Caspar Johannes Walter („New work“ for Percussion-quartet, sinus - generators and violin). Sian Edward is going to conduct the symphony-orchestra of Bayrischer Rundfunk, Stefan Blum and members of Schlagquartett Köln play percussion.

12.06.04: Münchener Residenz, Herkulessaal

 

Successful Tour of Canada and the US
(May, 2004)

A visiting professor position at Evergreen State College in Olympia (Washington) stands at the center of the Canada/US tour, where Gerhard Stäbler is currently the holder of the „Dan Evans Chair“ in Composition. Numerous other activities accompany this tenure, which lasts from mid - March until the beginning of June: Lectures at the University of California Santa Cruz, the University of Washington (Seattle) and at the Canadian Music Center in Vancouver, as well as numerous concerts and performance evenings featuring works by the composer. On May 23, an expanded and altered version of SPICES (1) came to life in Los Angeles, Olympia and Seattle. Stäbler created SPICES (1PLUS) for dance, chamber Orchestra, tape, scents and vocal interventions - the latter referring to the United States‘ martial invasions of Afghanistan and Iraq. The highly acclaimed world premiere was realized by the dancer and choreographer Kabby Michell III, the Evergreen State Colleges‘ Vocal Ensemble and the "Olympia Chamber Orchestra" under Maestro Arun Chandra.
The grand finale of the visiting professorship and the sojourn in the United States consists of three evenings of performances with the German-Korean composer Kunsu Shim. On May 26 both composers will create an homage to Nam June Paik at Evergreen State College. In addition, on June 3 works by Stäbler´s students that have been created in cooperation with Stäbler, will be performed- including a new version of the music-theater project futuressencexxx by Stäbler and Shim based on texts by Italian futurists.

 

Poetic Arcs on Tour in the Netherlands
(January 25 ­ April 25, 2004)

A concert with Gerhard Staebler´s ensemble work Poetic Arcs on November 16 will be presented in three additional Dutch concerts. “De ereprijs”, a well known association for contemporary music, organised concerts in Arnhem, Velp and Nijmwegen. Poetic Arcs, commissioned by "De ereprijs", is composed in three parts an deals with music by C. Ph. E. Bach (Fantasia for piano in A-major), Franz Liszt (Unstern! ­ Sinistre for piano) und Charles Ives (Ragtime Dances for theatre-orchestra). Additional inspiration Staebler received from sculptures created by Richard Serra. In the frame of the three concerts additional compositions by Jan Bus (High Five), Rodney Sharman (In Praise of the shadows), Robert H.P. Platz (main FLEUR), Will Eisma (Spijkerboor), Roderik de Man (Samen Sterk), Iain Matheson (All Alone) and John Korsrud (Gershwin and Fire) are presented.

January 25, Music Sacrum: Velperbuitensingel 25, Arnhem.
March 21, Kunsthuis 13: Kastanjelaan 13, Velp
April 25, Lux: Marienburg 38-39, Nijmwegen

 

Successful Japan Tour
(December 2003 ­ February 2004)

Gerhard Stäbler and Kunsu Shim toured in Japan from December to February 2004. A scholarship from the Japanese city Shuho-Cho enabled a composer in residence in Yamaguchi. Concerts in various towns, e.g. Tokyo, Kyoto and Akiyoshidai, were very successful: many people listened to performances and interpretations on a high level. Piano works by Stäbler and Shim were combined with performances in the frame of a workshop at Akiyoshidai International Arts College with students on January 16 and 17. Stäbler´s Traum 1/9/92 was being presented by the Japanese pianist JongAh Yoon for the first time in Japan. The composers themselves interpreted their perfomances piece japonaises and Rachengold. In a concert organised by the Goethe Institut on January 21 in Kyoto the focus was even more on the performative aspect. Hommáge à Nam June Paik, a co-production of Shim and Stäbler had its premiere in Japan, numerous other performances in the fluxus tradition e.g. good bye paradise for one performer with plants from 1998 or Stäbler´s work for tape, Kalt·Erhitzt were combined in the programme. Other concerts followed in Tokyo and Kyoto were based on piano-works by Shim and Stäbler. Since (European) tradition plays a very great role at the conservatories in Japan the well-visited and progressive concerts caused great enthusiasm and lively discussions between artists and audience.

 

CD-Release with Stäbler´s Traum 1/9/92
(January 2004)

The Goethe Institut Kyoto decided to publish a CD with various pieces by German and Japanese artists. Among these are Stäbler, Kunsu Shim, Yuji Takahashi, Jan Müller-Wieland sowie Seiichi Inagaki. Traum 1/9/92 has been released in its version for ensemble with the MusikFabrik Nordrhein Westfalen (CPO 999259-2) and as a piano solo interpreted by Paulo Alvares (Metier-Records 92075 a + b) . The piece is based on the didactic play Die Mutter by Bertolt Brecht. Stäbler transferred the text into a Morse-code, that serves as the rhythmic foundation. The Japanes pianist Noriko Tokuoka interpreted the live recorded piece in concert given in the Haus der Kulturen der Welt in Berlin in August 2003.

 

zurück 2003

 

Gerhard Staebler received the Duisburg Musikpreis
(October 26 – November 9, 2003)

On October 26 Gerhard Staebler was awarded with the Duisburger Musikpreis. Famous artists already received this prize, among them the composers Krzyszof Penderecki and Toshio Hosokawa or the director Christof Loy. In the frame of the ceremony in Wilhelm Lehmbruck Museum (Duisburg) with a speech by Hermann Danuser, professor for musicology in Berlin, the Dutch Ives Ensemble presented Staebler´s compositions Die Reise for ensemble (2001/02) (German premiere) and Den Müllfahrern von San Francisco for seven interpreters (1989/90).
Numerous activities and concerts followed the award: a workshop by Staebler from November 3 to November 9 at Folkwanghochschule Essen, a concert with spatial ayres for soprans-solo, ensemble and tape referring to texts by Heiner Müller (1999/2000), SPICES (1) for dance, emsemble, tapes and spices (2001), INTERNET 4 (Adriatico) for piano(s) and percussion (1996-97) and O MURO for soprano, drums, metal, wood, glass and ice with four-channel tape (1992) at Folkwanghochschule in Duisburg on November 8. A day after in Wilhelm Lehmbruck Museum Duisburg NOTEBOOK for viola-solo and orchestra or ensemble (1996-2000) was be given as a world-premiere; Hideko Kobayashi played the solo-part. TRAUM 1/9/92 for saxophone (or clarinet), violoncello, piano and ensemble (1992), Den Müllfahrern von San Francisco for ensemble (1989/90) and Dalí, Música mágica para piano (1996), last work being interpreted by the pianist Bernhard Wambach, filled the concert on November 9. All ensemble-works on November 8 and November 9 were conducted by Peter Rundel.

October 26
Wilhelm Lehmbruck-Museum: Ceremony with a speech by Hermann Danuser, concert with Die Reise and Den Müllfahrern von San Francisco.

November 3 - 9
Folkwang-Hochschule Essen: Workshop

November 8
Folkwanghochschule Duisburg: concert with spatial ayres, SPICES (1), INTERNET 4 (Adriatico), O MURO

November 9
Wilhelm Lehmbruck-Museum: NOTEBOOK, TRAUM 1/9/92, Den Müllfahrern von San Francisco, Dalí, Música mágica para piano

 

Concert with Janne Rättyä in Dortmund
(October 8, 2003)

Janne Rättyä, the exceptional Finnish accordion-player, is going to perform works by Joh. Seb. Bach, Gerhard Stäbler and Kunsu Shim. Inbetween Shim´s pieces in zwei teilen a dialogue of history is created with the two poles Stäbler and Bach. The interpretation of the Goldberg-Variations transcription for accordion is one of the highlights of the concert. A German premiere of dry leaves will be another. Other pieces being presented by Rättyä are Internet 1.2. for accordion - solo, Spices (4) for accordion, tape and spices and dry leaves for accordion.

October 8: St. Petri Kirche

 

World Premiere presented by Apartment House
(October 5, 2003)

The English ensemble Apartment House directed by Anton Lukoszevieze is playing the premiere of Stäbler´s new instrumental theatre Time•Out for two female vocalists, clarinet, bassoon, cello, video and tape. Other works being given were composed by the Irish voice performer Jennifer Walshe and Valerio Sannicandro. A special service is offered by the Dresdner Zentrum für Zeitgenössische Musik. Via internet it is possible to follow the concert. www.zeitmusik.de/Veranst/Fest2003/programm.htm

October 5: Dresdner Zentrum, Festspielhaus Hellerau

 

German Premiere given by Luxembourg Sinfonietta
(September 24/25, 2003)

Gerhard Staebler´s ensemble work Plateau will be presented by the conductor Marcel Wengler and the Luxembourg Sinfonietta. Two concerts in Duisburg and Essen contain other works by Gustav Mahler, Franz Schubert, Kunsu Shim and Marcel Wengler. Plateau was commissioned by the Sinfonietta and composed on Crete in autumn 2002. The work consists of three movements, which titles ...heitere Lüfte?,...mit trägem Fuß... and Ach, so ruhig, so licht! have been extracted from Schubert´s Einsamkeit (Winterreise). The dancers Avi Kaiser and Sergio Antonino will also take part in the concerts, which were organised by The Roof, EarPort and Stiftung Wilhelm Lehmbruck Museum Duisburg.

September 24: Wilhelm Lehmbruck Museum, Duisburg
September 25: Alte Synagoge, Essen

 

Two Hommages in Seoul with Shim and Staebler
(September 18 / 19, 2003)

After the world-premiere of the futurism - reminiscence futuressence xxx in San Francisco 2000 Staebler and Shim performed their music theatre in different places. Now the two artists were invited by the Total Art Gallery to show their extraordinary work as Korean premiere in Seoul. One day before the performance Staebler and Shim are going to present their Hommage à June Paik with pieces by Paik (Zen for Walking), Shim (beveridges), Cage (Score - 40 drawings by Thoreau), George Brecht (3 Piano Pieces, Stool, Five events, solo for xx), Henry Cowell (Tiger for piano-solo) and the composer duo Staebler / Shim (Hommage à Nam June Paik).

September 18, Total Art Gallery, Seoul: Hommage à Nam June Paik
September 19, Total Art Gallery, Seoul: futuressence xxx

 

Koto and piano in the Eko-Haus Düsseldorf
(August 24, 2003)

"The exotic of the other" is the title of a concert being presented in the EKO-Haus der japanischen Kultur e.V. in Düsseldorf on August 24. For this occasion Stäbler and Shim wrote two pieces for Koto, which will be interpreted by Makiko Goto. Before the concert the composer Peter Gahn is going to talk about the rich tradition and the perspectives of the extraordinary zither with 13 strings. Apart from the works for Koto the pianist Martin von der Heydt is going to present works by Toshio Hosokawa (Nacht-Klänge), Peter Gahn (Mit geliehener Aussicht), Markus Bongartz, Stäbler (Internet 1.9.) and Shim (Intermezzo).

Lecture with music-examples; concert; discussion after the concert
The concert will be repeated in Tokyo on october 18 in the "Halle des deutschen Kulturzentrums (Minato-ku, Akasaka 7-5-56)". Instead of Internet 1.9. the pianist Inoue Satoko will present Windows as Japanese premiere. Keiko Hisamoto (voice) and Reiko Miyake (Koto) are going to present Ithaka.

 

New book about Gerhard Staebler´s interdisciplinarity
(August 2003)

The musicologist Hella Melkert is very familiar with Staebler´s music. She now presented her observations especially about the interdisciplinary aspects of different works being composed in the last 15 years: e.g. FallZeit, Kybele, Journal 9´1119, Dalí, Spices-serie. The book contains 146 pages with numerous analyses, illustrations of scores, sketches and photos of Staebler´s scenic productions. It is published in the serie "Zwischen/Töne" (edited by Hanns-Werner Heister) and can be ordered in the net under Weidler-Verlag.

Melkert, Hella: Gerhard Staebler - Klang und Sinn, Ton und Kunst, 19,80 Euro.

 

New release with complete piano-work
(July 2003)

In the next weeks the English label Metier Records is going to release all piano-works by Gerhard Stäbler. Paulo Alvares, being involved in Stäbler´s music as soloist and conductor presents experimental, graphic notated works such as Hart auf Hart, Von Branntwein und Finsternissen and more traditional notated compositions such as Dalí or the solo-version of Traum 1.9.92.
The "release-party" will take place in the frame of a concert in Cologne. Here Alvares is going to play the premiere of Stäbler´s new piece ?! Musical essay about the limits of the possible for every kind of keyboard - mechanic or electric (also accordion). Other multimedia-pieces are presented by the string-quartet Caldron and the Ensemble for aleatoric music and improvisation.

 

Madame la Peste - Premiere in Saarbrücken
(June / July, 2003)

Staatstheater Saarbrücken will present Gerhard Stäbler´s third music-theatre Madame la Peste (2001/2002) after its world premiere in Duisburg last year. Matthias Kaiser, director and dramaturge of the opera in Saarbrücken, wrote the libretto, which is based on two novels: On Edgar Allan Poes gothic novel "The decline of house Usher" from 1839, and on the polish writer Bruno Jasienskis futuristic novel "Plague in Paris" (1928).
The music theatre is dealing with the question, if "human" systems can be installed in a society. After the plague has murdered most people in Paris, some survivors in a prison try to establish a new "socialistic" system. In the end they fail, and the question remains, if a system without ideology is possible.

Staatstheater Saarbrücken June 15, 19, 26 2003, July 11, 13, 16., Stage-production: Elmar Fulda

 

Radiofeature by Christoph Wagner
(June 18, 2003)

Different wooden mouth-organs were used in traditional Asian music. In Japan the Sho was played by virtuos interpreters, in China the Sheng became famous. Christoph Wagner is going to deal with traditional aspects but will examine the reception of these fascinating instruments in contemporary western music as well: the rock-formations Aerosmith and Cranberries and the composers John Cage or Gerhard Stäbler integrated Asian music-tradition in their works. Stäbler composed his Cassandra-study Palast des Schweigens for Sho in 1992/93 and in 1994/95 he wrote Karas.Krähen for tape, voice, sho, doublebass and drums. Mayumi Miyata recorded these works on a wonderful CD. (Wergo, Edition ZKM 282 056 - 2)

SWR 2, Juni 18 (Wednesday) 2003, 22.05

 

Russian premiere of Die Reise
(June 4, 2003)


After the world-premiere from Die Reise [The yoyage] played by the Ives-Ensemble last year Igor Dronov now conducted the ensemble-work at Tschaikowskij-conservatory in Moscow. The New Music Ensemble combined Stäbler´s work in a programme with works by Paul Dessau, Alfred Schnittke, Galina Ustvolskaya and Hans-Werner Henze (El Cimarón). The days before the successfull and well-visited concert Gerhard Stäbler gave lectures about his work at the conservatory.

 

American Premiere of Speed
(May 9, 2003)

Speed seems to be an adequate title for Stäbler´s vokal composition: with all energy, as rapid as possible, Stäbler´s asemantic syllables have to be interpreted. This heroic task is (hopefully) going to be managed by Carol Genetti, Julia Hathaway and Hollis Bolton. In the frame of Discrete Series, just founded in Chicago by the poets Zach Seldess and Kerri Sonnenberg, Stäbler´s work will be performed for the first time. Poems by Stephen Ratcliffe will be in the centre of the evening.

Chicago, "3030" (Pentecostal church, 3030 W. Cortland Ave.), May 9

 

Interzone Perceptible
(April 22 – May 5, 2003)

Duo Interzone Perceptible is concentrating on experimental works for e-bass and accordion. In April and May Sven Hermann (Accordion) and Matthias Hettmer (E-bass) are going to perform works of Stäbler (Gift.Gelb, KopfFüssler) and Shim (A silent swaying breath, Kurzschluss) in Berlin and Korea. In Berlin Shim´s new composition Kurzschluss will be presented as a world-premiere. It will be part of a concept-work by 10 composers – each composer, among them Stäbler with his KopfFüssler – presented a short piece of 5-seconds duration.

April 22: Berlin BKA Mehringdamm: Kurzschluss (premiere), KopfFüßler, A silent swaying breath.
April 29: Kunkok University Seoul: Gift.Gelb, Kopffüssler, Kurzschluss, A silent swaying breath.
May 5, Sookmyoung University Seoul: Gift.Gelb, Kopffüssler, Kurzschluss, A silent swaying breath

 

Korean Premiere of Karas.Krähen
(March 21, 2003)

After the successful irish premiere, presented by the Crash-ensemble in November 2002, Karas.Krähen will now be interpreted in its quite unusual instrumentation with tape, voice, sho, double-bass and percussion (1994/95) in Korea. The work combines themes of Asian mythology with dangers of modern civilization. During the festival "Music today" it will have its premiere on March 21. The composer will be in Korea since he is going to take part in a jury for an international competition for composers.

 

Tour in Korea with Kunsu Shim
(March 17 – 21, 2003)

After an extensive tour in North America Stäbler and Kunsu Shim are now going to visit the east, more precisely: South-Korea. After performances in New York, San Francisco and Duisburg Futuressencexxx is presented in a new version as Korean premiere. The reminiscence to the Italian futurism is presented two times during the festival "Music today" (March 17/19, 2003). On March 18 Stäbler creates an evening, that is dedicated to one of the main figure of Fluxus, Nam June Paik. Apart from these performances Stäbler´s composition Karas.Crows for voice, sho, double-bass, percussion and tape (1994/95) will be performed on March 21. After the performances Stäbler will participate in a jury choosing the winner of the international prize composition Seoul 2003.

 

Premiere of dry leaves with Janne Rättyä in Salzburg
(March 2, 2003)

Gerhard Stäbler´s works were inspired by literature quite often: the choir-composition …for Kavafis… (2000) is a musical reflection on the vita of the Greece author Konstantin Kavafis, the music-theatre CassandraComplex (1993/94) is based on Christa Wolff´s reception of the Cassandra myth and recently Stäbler referred to the Polish writer Bruno Jasiensky in his opera Madame la Peste (2002). In dry leaves for accordion-solo Paul Auster inspired Stäbler with some of his poems collected in Disappearances. "dry leaves begins - but where?, stops, but when?" - Stäbler reflects on Auster´s thoughts about transient conditions of life. Janne Rättyä is going to perform dry leaves during the festival "Salzburger Aspekte" on March 2, 2003.

 

Radio-Programme with Hella Melkert
(February 1, 2003)

The musicologist Hella Melkert is going to present a Stäbler-portrait of 45-minutes in the programme of the German radio station Deutschlandfunk. Political and ethical questions with examples from three works will be discussed also with biographical backgrounds. Then Melkert will examine the role of divergent influences, that characterize Stäbler´s work. Especially connexes with art, literature and the reception of other composers are important here.

Saturday February 1 2003, DeutschlandFunk

 

zurück 2002

 

Christmas with Xmess
(December 12 – 17, 2002)

Gerhard Stäbler´s composition Xmess for voices, instruments, action and kitsch is inspired by the commercial exploitation of Christmas-season. A collage of Christmas-songs, that are sung all over the world the interpreters are entering the stage with christmas make up and glamour. Günther Albers, director of the Opern Studio of the Deutschen Oper am Rhein Düsseldorf-Duisburg will direct the premiere of Xmess on December 1. Numerous performances will follow.

Dec 4 Theater Foyer Duisburg. Dec 5 Opernfoyer Düsseldorf. Dec 12 Schauspielhaus Düsseldorf. Dec 13 Glaserei Bongartz in Duisburg Rumeln-Kaldenhausen. Dec 15 Theater Foyer Duisburg. Dec 17 Haniel-Akademie Duisburg. Dec 18 Partica-Saal, Robert-Schumann-Hochschule Düsseldorf.

 

American Premiere of Gift.Gelb
(November 23, 2002)

The experimental Duo Interzone Perceptible is going to play Gerhard Stäbler´s Gift.Gelb for electrified accordion, e-bass and tape in the United States for the first time. Gift.Gelb, composed in winter 2001/02, represents a cynical allegory to the war in Afghanistan. Apart from Stäbler´s work Interzone Perceptible are interpreting a piece from Michael Rook (Kollaps/Relaps (wormhole), Premiere of a new piece) and Hans-Joachim Hespos (kaleidoskopes luftsilber).

November 23: "hard edged music", The Vogue (Seattle)1516 11th Ave, Capitol Hill

 

Irish premiere of Karas.Krähen
(November 17, 2002)

In Karas.Krähen Stäbler connected themes from Asian mythology with threatening dangers of modern civilization. Ten suns existed in ancient china, nine of them were shot down by the legendary archer Yi. After that a crow beared the tenth sun. From the modern civilizations point of view the function of this crow has become quite negative: temperatures on earth are rising dramatically, our "artificial suns", the atombomb and nuclear power stations are threatening. Here the crow is not a positive life spender but more a "bringer of death".
In this ambivalence between orient and occident Stäbler is composing his Karas.Krähen. The Irish Crash Ensemble, mostly concentrating on multimedia and experimental works, is now performing the composition in the version for voice, keyboard, double bass, percussion and CD. Further composition are being played from Steven Gardner, Michael Meierhof, David Lang, Eva Beglarian and Julia Wolfe.

Irish Museum of Modern Art, Dublin, November 17

 

Hart auf Hart in Norway
(November 11, 2002)

The portrait concert of music by Gerhard Stäbler; and Kunsu Shim left an impression on the musicians of the Bodoe Sinfonietta. They are determined to perform this work again in a Bodoe church on November 11. On the programme, a large ensemble consisting of 5 strings, 5 winds, trumpet, trombone, piano, and percussion, will mainly play the works of Norwegian composers: three pieces by Torstein Aagaard-Nilsen, as well as two works by Sigmund Lillebjerka.

 

futuressence xxx and Hommage á Nam June Paik in New York
(November 7/8, 2002)

At the end of their North-American tournee Kunsu Shim and Gerhard Stäbler are invited by the festival-organisator ThreeTwo. The two composers will present two interdisiplinary evenings: On November 7 they will perform their Futurism-Hommage futuressencexxx with the German theatre-group GeVis & Schnee and artists, which participated at the premiere in San Francisco 2000 (Kattt Sammon, Peggy de Coursey).
On November 8 Stäbler and Shim are dealing with Nam June Paik; they will show their performance Hommage á Nam June Paik, other works from George Brecht or Kurt Schwitters are performed as well. The artists will include Jörg Detmold and Thomas Meczele from GeVis & Schnee and Sammon and de Coursey again.

Sanford Meisner Theater New York, 164, 11th Avenue: November 7: Futuressencexxx.
Sanford Meisner Theater New York, 164, 11th Avenue: November 8: Hommage á Nam June Paik.

 

EarPort is represented
(November 3 – 9, 2002)

After a performance night with the Taipei-born composer Chao-Ming Tung and the Berlin resident Hartmut Wohleber on October 30, there will be a week-long (November 3-10) interdisciplinary artistic week. The pianist Jongah Yoon will inaugurate the events on Saturday, playing piano works by Morten Feldman, as well as Gerhard Stäbler's Dali;. Afterwards, every day there will be five performances featuring Jörg Detmold, Thomas Meczele, Victoria Smits, and Kunsu Shim. After a conversation evening with the assembled artists on Friday, November 9, the pianist Jongah Yoon will end the event-rich week with piano works by Galina Ustvolskaya and Kunsu Shim. Parallel with the named events, there will also be an exhibition featuring the art of the Frankfurt-based painter Mirna Hudobec Bauer. Entrance to all events is free of charge.

November 3-10, EarPort Duisburg, Philosophenweg 17a / 47051 Duisburg (for inquiries: earportDU@aol.com)

 

Workshops, Lectures and Concerts at University of Toronto
(October 29 – November 1, 2002)

After the residence with Kore-ensemble in Montréal both composers will give some lectures, where they talk about their work to the students. Theoretical discussion are followed by practical cooperations with the universities "Contemporary Music Ensemble". Stäbler´s Warnung mit Liebeslied for harp, accordion and glass-percussion will be performed here. On the third and last day there will be a more extensive concert with performances and pieces from Stäbler and Kunsu: The composer´s Hommage á Nam June Paik, Shim´s piece japonais and Paiks Simple from 1962 are performances, Shim´s positive spaces and Stäbler´s Red and White ensemble works: Graphic notations will be the point of departure for training improvisation with the students. Stäbler´s experimental study for voice, Rosenkranz and Shims inserting music for tape, which will be played 13 seconds at any time in the concert, are completing the programme.

October 29th: Lecture in the University's Composers' Forum
October 30th: Concert with the University's Contemporary Music Ensemble
Nov. 1st: Lobby Concert with students

 

Gerhard Stäbler and Kunsu Shim - Composer in Residence with the Canadian Kore-Ensemble
(October 25 – 27, 2002)

In the frame of a Canada-tournée Gerhard Stäbler and Kunsu Shim will be composers in residence in Montréal. At the beginning of the residence McGill percussion quartet will perform two percussion pieces from Shim and Stäbler, after the composers had introduced the musicians to their works. After that, three concerts will present the music of the two composers: On October 25 the auditorium will be introduced to Kunsu Shim´s discreet and very elegant music by the Bozzini string quartet. The musicians will concentrate on Shim´s recently composed chamber-music for strings: two places for violin solo (1998), wäre ich ein vogel, ein wasser und ein wind for string-quartet (2002) and luftrand (für klaus und dirk) (2000). On the next day this concert is followed by an evening with the Motion-ensemble and Stäbler´s and Shim´s Hommage To Nam June Paik, Stäbler´s Winter, Blumen in a solo-version for double-bass, Shim´s before for double bass and his in zwei Teilen for ensemble. The last concert of Kore-Ensemble and the musicians Jonathan Goldman (accordion) und Andrew Miller (double-bass) is concentrating on Stäbler´s Oeuvre: Die Nacht sitzt am Tisch for voice, clarinet, bassclarinet and smells and KARAS.KRÄHEN for voice, ensemble and tape, Spuren for saxophone-quartet are going to be interpreted.

All dates: Kunsu Shim Portrait October 25: Studio 303, 372 Ste-Catherine Ouest
Gerhard Stäbler / Kunsu Shim Double-portrait October 26: Studio 303, 372 Ste-Catherine Ouest
Gerhard Stäbler Portrait October 27: Sala Rossa 4848 boul. St-Laurent

 

Premiere in Chiasso (Switzerland): m·sks·m
(October 19, 2002)

In the theatre of Chiasso the New-music concert-organization "Oggimusica" is going to celebrate its 25 th. anniversary. 12 composers sent compositions, among them Gerhard Stäbler, who is presenting his m·sks·m - U-turn for three wind players, percussion and drums. Like other compositions from, for example, D. Cojacaru (Montreal), G. F. Haas (Vienna), M. Schmidt (Freiburg), M. Smolka (Prague), D. Weissberg und H. Wüthrich (Basle), this compositions is - analogue to the baroque tradition - dealing with the theme "musical mask". The interpreters will be Frederic Rzewski (piano) and ensemble Oggimusica.

Teatro Chiasso, October 19

 

Journal 9´1119 in Berlin
(September 29, 2002)

The percussionist Dirk Rothbrust and the flute-player Dietmar Wiesner are going to perform Journal 9´1119 for percussion, flute, tape and smells in Berlin. Stäbler recorded earlier written pieces on tape (e.g. Strike the ear (1987/88) for string-quartet and the 1972 composed drüber... for eight active screamers) and combined them with flute and percussion sounds from filled water bottles and metal bowls. The composition is performed in a programme with works from Tom Johnson (Rational Melodies for flute-solo) and Bernd Thewes (Subcode for pasteboard-drum).

September 29, Berlin - Pfefferberg at Schönhauser Allee.

 

Duo Archaeopteryx performing Journal 9´1119 in Saarbrücken
(August 14, 2002)

1996 Gerhard Stäbler composed Journal 9´1119 for the experimental Duo Archaeopteryx. Now the musicians will perform the work for flutes, drums, tape and smells for the first time. Stäbler composed the piece with rows of numbers he took from Philip Johnson-Laird´s book "Computer in head". Like in his Internet-cycle the composers cites fragments of own works like strike the ear and drüber....
Scenic elements play an important role in Journal 9´1119: Lots of plastic garbage is placed in the centre of the percussion. The performance will largely take place on stage, but at the end the piece will be concluded behind the audience with unusual instruments like metal-bowls or bottles filled with water. Before Stäblers work is performed Duo Archaeoteryx will play works by Dieter Mack (temu, 2001) and Palle Dahlstedt (Anakolut, 2000, awarded with first prize from Gaudeamus competition 2001).

Saarland Museum Saarbrücken Vortragssaal, Bismarckstr. 11, 14.08.

 

Dalí´s premiere in Japan
(July 20, 2002)

The first performance of Gerhard Stäblers Dalí, musica mágica will be given in Japan by the Japanese pianist Kazue Nakamura. Dalí, musica mágica for piano was written in 1995/96. The work reflects Stäblers impressions in the Dalí-museum in Figueres. Stäbler was especially attracted by the painters controverse, excentric character and the strange, but fascinating nature surrounding Dalí.
51 passages each containing 33-crotchets (exclusive an extensive pause) are influenced by Schuberts piano music, that went beyound musical conventions in the early 19. century. The artificial text to Dalí, musica mágica is based on Walter Benjamins famous essay "Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit" (Works of art in the age of technical reproduction). This essay is dealing with the problem of art-reception, that is dominated by new medias (photo, film) concentrated on reproduction. Nakamura will play Dalí in a programme with works by Jo Kondo, Sadayuki Kaminaga an Hiroyuki Yamamoto.

Mon-naka Tenjo Hall, Tokyo, July 20

 

Musik Welten III
(June 21, 2002)

Three extensive Stäbler-portraits at the Deutsche Oper am Rhein, Duisburg Theatre and Tonhalle Düsseldorf are followed by a night called "Musik Welten III" (Music worlds III) at June 21. The programme is concentrating on Stäblers works for voice. All of the four Belfast Breakfast songs, Stäbler composed in Belfast 1996, are interpreted. These songs are dominated by extremes in many respects: tempi should sometimes be "as fast as possible", dynamics are changing rapidly from extreme forte to whispering. In the foreword of the score Stäbler writes: "Every hint of mediocrity is unfavourable to the interpretation of the compositions."
Apart from works for voice (Secrets (1998) - songs based on poems by Wolf Wondratschek, Rosenkranz (1995), secret score for a vocalist) instrumental works are being presented as well: Krusten/Crusts for cello (1998), Traum 1/9/92 (1992) for ensemble, eilig.dressiert (2000) for three flutes, Hart auf Hart (1996) for ensemble. One work from Kunsu Shim (Three Pieces for Cello, 1992) and Modest Mussorsky (Without sun, songs I - III for singer and piano) are also presented.

Oper am Rhein Düsseldorf, June 21, Foyer, 10 Euro. Solisten der Deutschen Oper am Rhein, Interpreters: Armand Angster (clarinet), Jean-Marc Foltz (bass-clarinet), Anton Lukoszevieze (cello), Roland Techet (piano), Ensemble il tempo suono (flutes), Gerhard Stäbler (performance), soloists from Deutsche Oper am Rhein

 

Müllfahrer von San Francisco and Die Reise (The voyage) in the Netherlands (May 5 – 15, 2002)

The well known Dutch Ives Ensemble interpretes two works of Gerhard Stäbler in 4 concerts. The "Stäbler Ensemble-Hit" Die Müllfahrer von San Francisco will be performed in the small version, Michael Oesterle had arranged. As Die Müllfahrer will be a Dutch premiere, Die Reise for clarinet, trumpet, trombone, cello, piano, drums and tape will be performed for the first time worldwide. Stäbler produced the tape with Christian Venghaus from Zentrum für Kunst- und Medientechnologie Karlsruhe. It contains tram-sounds recorded in Gdansk (Danzig) for Avi Kaisers dance-theatre Endstation Zaspa. The score shows numerous tutti-actions and is characterized by hard dynamic contrasts, scenic actions dominate as well: Passages, in which the instrumentalists have to produce quiet, but striking sounds on unusual sound generators are interpolated. Apart from Stäblers works Marginal Way, composed by Michael Oesterle, and Kolchis, Kalt from Wolfgang Rihm are being played.

All concert dates: Sunday May 5, 20.30 Muziekcentrum 's Hertogenbosch, Prins Bernhardstraat 4, 's Hertogenbosch ; Tuesday May 7, 20.30 Paradiso Amsterdam (in PROMS series), Weteringschans 6-8, Amsterdam ; Wednesday May 8, 20.30 Lantaren/Venster Rotterdam, Gouvernestraat 133, Rotterdam ; Wednesday May 15, 20.15 Muziekcentrum Vredenburg, Utrecht Vredenburgpassage 77

 

Madame la Peste - Stäblers new music-theatre
(April 26, 2002)

On April 26 the the premiere of Gerhard Stäblers new music theatre Madame la Peste will take place at Theatre Duisburg. Matthias Kaiser, director and dramaturge of the opera in Saarbrücken, wrote the libretto, which is based on two novels: On Edgar Allan Poes gothic novel "The decline of house Usher" from 1839, and on the polish writer Bruno Jasienskis futuristic novel "Plague in Paris". (1928).
The music theatre is dealing with the question, if "human" systems can be installed in a society. After the plague has murdered most people in Paris, some survivors in a prison try to establish a new "socialistic" system. In the end they fail, and the question remains, if a system without ideology is possible.

Theatre Duisburg 19.30, Musical direction: Günther Albers, stage-production: Elmar Fulda, stage and costumes: Gottfried Pilz, choir: Gerhard Michalski, interpreters/singers: P´an/Poe - Christopher Lincoln, Professor/Roderick - Stephen Bronk, Lady Madelaine/Pest - Hanne Järvinen, Eleasar ben Zwi (Rabbi) - Sami Luttinen, Solomin - Torsten Hoffmann, Tschen (chinese girl) - Anke Krabbe, Mr. Lingslay (Media-chief) - Bruce Rankin, Jeanatte Lecoque (Republic-people) - Lisa Griffith, Laval (republican mercenarties) - Heikki Kilpeläinen

 

Another portrait at Theatre Duisburg
(April 19, 2002)

A week before the premiere of Stäbler´s new opera Madame la Peste theatre Duisburg will give a workshop with Stäbler, since he is composer in residence in Düsseldorf (the cooperator of Duisburg theatre). In the evening there will be a portrait concert with several pieces of the 80´s and 90´s, such as: Warnung mit Liebeslied (1986) for harp, accordion and glass, Hai! (1991) for tuba solo with periphere instruments, Mit wachen Sinnen (1986/87) for speaker with mouth-organ, FallZeit (1997) for drums, Ungaretti-Lieder (1990) for Mezzosopran and percussion, the Performance X - for catches (1994) and fallen, fallen... und liegen und fallen, songs for poems of Paul Celan for mezzosoprano, accordion, tuba and four channel tape (1988/89).

Theater Duisburg, 19.30

 

Portrait-concert in Düsseldorf
(March 8, 2002)

In the context of the premiere of Stäbler's new opera Madame la Peste Tonhalle Düsseldorf will present an extensive concert with numerous works. Bigger Ensemble works such as Den Müllfahrern von San Francisco or Strafkolonie/Spatial Ayres will be played by MusikFabrik Nordrhein Westfalen. A new chorus-piece with the title XXl-Great! will be directed by Frieder Bernius and performed by Chorwerk Ruhr. A second premiere in Düsseldorf will be Spices (3) for three drummers and tapes.
Experimental Forms, an important branch of Stäbler´s Oeuvre since 1970, are also presented: O Muro for soprano, drums, metal, wood, glass and ice or Rachengold, consisting of gargle sounds. The percussionist Dirk Rothbrust will play hyacinth-liquid.scents and O Muro, singers of Chorwerk Ruhr will scream one of Stäbler´s early works, the well known Drüber for eight active screamers.
The representative portrait is "spiced" with pieces of other composers, who had an influence on Stäbler: Hanns Eislers Gegen den Krieg, Hans Leo Hasslers Psalm 119, Kunsu Shims Ikebana und Stilleben and Nam June Paiks fresh Fluxus-action Simple are performed as well.

Tonhalle Düsseldorf, Ehrenhof 1, 8. March 2002, 19 Uhr (other, not mentioned interpreters: Annette Robbert - Sopran, Martin Lindsay - Bariton, Ensemble für Improvisation und aleatorische Musik - Ltg. Paulo Alvares)

 

Peter Veale´s concerts with Radierung in the states
(March 5/12, 2002)

On 5.th of March 2002 and 12.th of March 2002 Peter Veale, a worldwide concert-giving oboist and member of Ensemble SurPlus, is giving concerts with Radierung. Stäbler´s work for oboe solo was composed in 1995 and it is characterized by abrupt changes of multiphonic- with more homophonic passages. Radierung is dedicated to the English composer James Clarke.

5.3.2002, Brechemin Auditorium, School of Music, University of Washington 19.30 Uhr. 12.03.2002, "New Music Made In Germany", Villa
Aurora, Los Angeles 20 Uhr (this concert is curated by Daniel Rothman and sponsored by the Goethe Institute Los Angeles)